Ratings
Financials
Revenue: $316,800,000
Budget: $58,000,000
Profit: + $258,800,000
Movie Details
Tag Line: He saw the world in a way no one could have imagined.
Status: Released
Average Rating: 8
Release Date: Dec 14, 2001
Rating: 2001-12-21
Run Time: 2h 15m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Universal Pictures , DreamWorks Pictures , Imagine Entertainment
Sources:
Genres
Keywords
People Rated This
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Synopsis
Brilliant mathematician, John Nash, is on the brink of international acclaim when he becomes entangled in a mysterious conspiracy.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Kathleen McGill
Maureen Peyrot
Ron Howard
Brian Grazer
|
| Executive Producer |
Louisa Velis
Karen Kehela Sherwood
Todd Hallowell
Aldric La'Auli Porter
|
|
| Casting |
Jane Jenkins
Janet Hirshenson
|
|
| Location Manager |
Lyn Pinezich
Evan Perazzo
|
|
| Extras Casting |
Bill Dance
|
|
| Casting Assistant |
Kristen McTigue
|
|
| Production Secretary |
Michelle Macirella
Audra Polk
|
|
| First Assistant Accountant |
Judy Pursley
|
|
| Production Accountant |
Tamara Bally
|
|
| Production Coordinator |
David Bausch
|
|
| Camera | Director of Photography |
Roger Deakins
|
| Camera Operator |
Kyle Rudolph
Gerardo Puglia
|
|
| Still Photographer |
Eli Reed
|
|
| Best Boy Grip |
Jonathan Nussbaum
Charlie Marroquin
|
|
| Dolly Grip |
Rick Marroquin
Bruce Hamme
Kenneth Fundus
|
|
| First Assistant Camera |
Tim Norman
Andy Harris
James R. Belletier
|
|
| Second Assistant Camera |
Patrick Quinn
Kris Enos
|
|
| Second Unit Director of Photography |
David M. Dunlap
|
|
| Key Grip |
Sal Lanza
Mitchell Andrew Lillian
|
|
| Camera Loader |
Gabriel Goodenough
|
|
| Editing | Editor |
Mike Hill
Daniel P. Hanley
|
| Assistant Editor |
Guy Barresi
Glenn Allen
|
|
| First Assistant Editor |
Richard Friedlander
|
|
| Color Timer |
Mike Milliken
|
|
| Negative Cutter |
Gary Burritt
|
|
| Art | Art Direction |
Robert Guerra
|
| Set Decoration |
Leslie E. Rollins
|
|
| Production Design |
Wynn Thomas
|
|
| Assistant Art Director |
Bradley Mayer
Nancy Winters
|
|
| Construction Coordinator |
Martin Bernstein
|
|
| Leadman |
Joseph Proscia
|
|
| Property Master |
Tommy Allen
Paul Weathered
|
|
| Assistant Property Master |
Betsy Klompus
Ann Edgeworth
|
|
| Assistant Set Decoration |
Christine Moosher
|
|
| Storyboard Artist |
Warren Drummond
Brick Mason
|
|
| Sound | Original Music Composer |
James Horner
|
| Music Editor |
Jim Henrikson
|
|
| Sound Effects Editor |
Harry Peck Bolles
Eytan Mirsky
Daniel Pagan
|
|
| Sound Re-Recording Mixer |
Chris Jenkins
Frank A. Montaño
|
|
| Supervising Sound Editor |
Anthony J. Ciccolini III
|
|
| ADR Supervisor |
Deborah Wallach
|
|
| Production Sound Mixer |
Allan Byer
|
|
| Dialogue Editor |
Stan Bochner
Marc Laub
Louis Cerborino
|
|
| Foley Editor |
Patrick Dundas
Missy Cohen
|
|
| Sound Recordist |
Bob Olari
|
|
| ADR Recordist |
Douglas Murray
Claudia Carle
Livia Ruzic
|
|
| Assistant Sound Editor |
Don Peebles
|
|
| ADR Mixer |
Michael Thompson
Paul J. Zydel
Dean Drabin
|
|
| Foley Artist |
Nancy Cabrera
Ginger Geary
|
|
| Sound Mixer |
Anthony Starbuck
|
|
| Directing | Director |
Ron Howard
|
| Script Supervisor |
Eva Z. Cabrera
Lynne Twentyman
|
|
| Second Unit Director |
Todd Hallowell
|
|
| First Assistant Director |
Aldric La'Auli Porter
|
|
| Costume & Make-Up | Costume Design |
Rita Ryack
|
| Costume Supervisor |
Winsome G. McKoy
William A. Campbell
Kevin Draves
Marcia Oste
|
|
| Special Effects Makeup Artist |
Greg Cannom
|
|
| Hairstylist |
Dale Brownell
Suzy Mazzarese-Allison
|
|
| Key Hair Stylist |
Antoinette Carr
Colleen Callaghan
|
|
| Assistant Costume Designer |
Kevin Brainerd
|
|
| Key Makeup Artist |
Dennis Eger
Todd Kleitsch
|
|
| Costumer |
Peter White
|
|
| Makeup Department Head |
Neal Martz
|
|
| Seamstress |
Laurie Buehler
|
|
| Makeup Artist |
Linda Lazar
Kymbra Callaghan
|
|
| Wardrobe Assistant |
Mary Jo 'MJ' McGrath
|
|
| Prosthetics |
Gary Archer
|
|
| Crew | Unit Publicist |
Julie Kuehndorf
|
| Special Effects Coordinator |
Wilfred Caban
|
|
| Dialect Coach |
Judy Dickerson
|
|
| Post Production Supervisor |
Steve Castellano
|
|
| Stunt Coordinator |
Peter Bucossi
|
|
| Visual Effects Editor |
Heather J. Morrison
|
|
| Scenic Artist |
Lisa Barnstone
|
|
| Digital Effects Supervisor |
Matthew E. Butler
|
|
| Stunts |
Brian Smyj
|
|
| Lighting | Best Boy Electric |
Joseph Grimaldi
Peter Walts
|
| Gaffer |
Bill O'Leary
Greg Addison
|
|
| Key Rigging Grip |
James Boniece
|
|
| Rigging Grip |
Howard Davidson
Todd S. Klein
|
|
| Rigging Gaffer |
Richie Ford
|
|
| Visual Effects | Visual Effects Supervisor |
Kevin Scott Mack
|
| Visual Effects Producer |
Kelly L'Estrange
|
|
| Digital Compositor |
Katie Nook
Krista Benson
Jessica Harris
Gimo Chanphianamvong
Perri Wainwright
Brandon McNaughton
|
|
| 3D Animator |
Nikos Kalaitzidis
Keith Huggins
|
|
| 3D Modeller |
Eliot Sirota
Thomas R. Dickens
|
|
| Compositing Supervisor |
Claas Henke
|
|
| Visual Effects Coordinator |
Paul Abatemarco
|
|
| Writing | Book |
Sylvia Nasar
|
| Writer |
Akiva Goldsman
|
|
| Department | Role | Name |







