Ratings
Financials
Revenue: $178,300,000
Budget: $42,000,000
Profit: + $136,300,000
Movie Details
Tag Line: For the most cautious man on Earth, life is about to get interesting.
Status: Released
Average Rating: 6
Release Date: Jan 16, 2004
Rating: 2004-06-08
Run Time: 1h 30m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Jersey Films
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
John Hamburg
|
| Script Supervisor |
Annie Welles
|
|
| First Assistant Director |
Daniel Silverberg
|
|
| Second Assistant Director |
Lisa Bloch-Tobey
|
|
| Second Second Assistant Director |
Don H. Julien
|
|
| Second Unit Director |
Alex Daniels
|
|
| Camera | Director of Photography |
Seamus McGarvey
|
| Still Photographer |
Tracy Bennett
|
|
| Steadicam Operator |
George Billinger III
|
|
| First Assistant Camera |
Steven Meizler
Mark Spath
|
|
| Camera Operator |
George Billinger III
Mitch Dubin
|
|
| Key Grip |
Art Bartels
|
|
| Camera Loader |
Paul Toomey
Chuck Moya
|
|
| Dolly Grip |
Jack Glenn
|
|
| Assistant Camera |
Stanley Fernandez Jr.
|
|
| Camera Trainee |
Jeremiah Kent
|
|
| Best Boy Grip |
Patrick Shelby
|
|
| Second Assistant Camera |
Tom Jordan
|
|
| Sound | Original Music Composer |
Theodore Shapiro
|
| Music Editor |
Kerry P. Brown
Tanya Noel Hill
|
|
| Boom Operator |
Benjamin Wienert
|
|
| Production Sound Mixer |
Richard Van Dyke
|
|
| Supervising Sound Editor |
Darren King
|
|
| Sound Mixer |
Geoffrey Patterson
Bruce Fowler
|
|
| Assistant Sound Editor |
Matthew C. May
Joseph Schultz
|
|
| Music Supervisor |
Randall Poster
|
|
| Foley Editor |
Andrew Bracken
|
|
| Supervising Music Editor |
Charles Martin Inouye
|
|
| ADR Mixer |
Dylan A. Flores
|
|
| Music Consultant |
Jim Dunbar
|
|
| ADR Recordist |
Philip Rogers
|
|
| Foley Supervisor |
Dan Yale
|
|
| Foley Artist |
Goro Koyama
|
|
| Utility Sound |
Jeffrey A. Humphreys
|
|
| Editing | Editor |
William Kerr
Nick Moore
|
| Color Timer |
Terry Claborn
|
|
| First Assistant Editor |
Clark Campbell
|
|
| Dialogue Editor |
Robert Grieve
Joel Shryack
|
|
| Associate Editor |
Laura Steiger
|
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
David Raymond
Peggy Eghbalian
|
|
| Production | Casting |
Kathleen Chopin
|
| Producer |
Danny DeVito
Stacey Sher
Michael Shamberg
|
|
| Associate Producer |
Anders Bard
|
|
| Executive Producer |
Daniel S. Levine
Jane Bartelme
|
|
| Production Accountant |
Charles W. Francis
|
|
| Location Manager |
Molly Allen
|
|
| Casting Associate |
Karen Meisels
Eric Zuckerman
|
|
| Production Coordinator |
Marc A. Hammer
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Unit Production Manager |
Daniel M. Stillman
|
|
| Second Assistant Accountant |
Abbie Ludwig
|
|
| Production Secretary |
Jenny Fumarolo
|
|
| First Assistant Accountant |
Marybeth Martin-Eck
|
|
| Post Production Coordinator |
Elizabeth Dean
|
|
| Location Coordinator |
Rachel Swenson
|
|
| Extras Casting |
Margaret Doversola
|
|
| Assistant Production Coordinator |
Lisa S. Beasley
|
|
| Production Assistant |
Trent Broin
|
|
| Assistant Location Manager |
Kei Rowan-Young
|
|
| Payroll Accountant |
Alexander C. Sohn
|
|
| Writing | Writer |
John Hamburg
|
| Crew | Special Effects Coordinator |
Greg Curtis
|
| Transportation Captain |
Rick Chouinard
|
|
| Craft Service |
Ronald Hairston Jr.
|
|
| Post Production Supervisor |
Lisa Rodgers
|
|
| Unit Publicist |
Kathryn Donovan
|
|
| Transportation Co-Captain |
Greg Van Dyke
|
|
| Transportation Coordinator |
James C. Taylor
|
|
| Choreographer |
JoAnn Fregalette Jansen
Anne Fletcher
|
|
| Stunt Coordinator |
Alex Daniels
|
|
| Stunts |
Tim Rigby
Gregory J. Barnett
Peewee Piemonte
Danielle Burgio
Pete Antico
Janie Liszewski
Steven Lambert
Hugh Aodh O'Brien
|
|
| Intern |
Cheryl Bell Hawley
|
|
| Digital Supervisor |
Richard Patterson
|
|
| Stunt Double |
Jennifer Brusciano
Samantha Lea Smith
|
|
| Visual Effects Editor |
Michelle Rothburgh
|
|
| Stunt Driver |
Carolyn Sapp Daniels
|
|
| Special Effects Technician |
Chris Brenczewski
|
|
| Lighting | Rigging Gaffer |
Michael Amorelli
|
| Gaffer |
Dayton Nietert
|
|
| Electrician |
Paul Arnold
|
|
| Assistant Chief Lighting Technician |
Christopher A. Zwirner
|
|
| Chief Lighting Technician |
Kelly Clear
|
|
| Costume & Make-Up | Key Costumer |
Laura Marolakos
Janet Sobel
|
| Key Hair Stylist |
Trish Almeida
|
|
| Costume Supervisor |
Lori DeLapp
|
|
| Hairstylist |
Naomi Donne
Chris McMillan
|
|
| Hair Department Head |
Kelvin R. Trahan
|
|
| Costume Design |
Cindy Evans
|
|
| Makeup Department Head |
Felicity Bowring
|
|
| Key Makeup Artist |
Ann Pala
|
|
| Makeup Artist |
Naomi Donne
Valli O'Reilly
|
|
| Set Costumer |
Annie Laoparadonchai
|
|
| Assistant Makeup Artist |
Amy Schmiederer
|
|
| Costumer |
Yulia Gershenzon
|
|
| Wardrobe Supervisor |
Joanna Brett
|
|
| On Set Dresser |
Jeffrey Rollins
|
|
| Art | Leadman |
Robert W. Joseph
|
| Art Department Coordinator |
Kacy Magedman
|
|
| Art Direction |
Martin Whist
|
|
| Construction Coordinator |
Jonas Kirk
|
|
| Production Design |
Andrew Laws
|
|
| Set Designer |
Greg Berry
Mary Saisselin
|
|
| Art Department Assistant |
Scott Morgan
|
|
| Set Decoration |
Don Diers
|
|
| Property Master |
Todd Ellis
|
|
| Storyboard Designer |
Steve Werblun
|
|
| Assistant Property Master |
Tim Y. Wetzel
|
|
| Graphic Designer |
David Scott
|
|
| Storyboard Artist |
Miles Teves
|
|
| Title Designer |
Greg Kupiec
|
|
| Visual Effects | Compositing Supervisor |
David S. Williams Jr.
|
| Digital Compositor |
Shaina Holmes
|
|
| Lead Animator |
Andrew Tucker
|
|
| Department | Role | Name |
Where to watch Along Came Polly
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