Ratings
Financials
Revenue: $332,000,000
Budget: $40,000,000
Profit: + $292,000,000
Movie Details
Tag Line: Getting back was only the beginning.
Status: Released
Average Rating: 8
Release Date: Nov 22, 1989
Rating: 1989-11-22
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Universal Pictures , Amblin Entertainment
Sources:
Genres
Keywords
People Rated This
Where to watch Back to the Future Part II
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Synopsis
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents -- again.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Rick Carter
|
| Art Direction |
Margie Stone McShirley
|
|
| Set Decoration |
Linda DeScenna
|
|
| Construction Coordinator |
Walt Hadfield
|
|
| Production Illustrator |
Jonas David
|
|
| Assistant Art Director |
Lynn Christopher
|
|
| Greensman |
Larry Lennert
|
|
| Leadman |
Tom McCown
|
|
| Painter |
Cary Conway
|
|
| Set Designer |
Beverli Eagan
|
|
| Standby Painter |
Jerry Gadette
|
|
| Construction Foreman |
Jerry Sargent
|
|
| Property Master |
John Zemansky
|
|
| Assistant Property Master |
Richard Leon
|
|
| Sound | Original Music Composer |
Alan Silvestri
|
| ADR Supervisor |
Larry Singer
|
|
| ADR Editor |
Mary Andrews
|
|
| Supervising Sound Editor |
Charles L. Campbell
|
|
| Sound Editor |
Gregg Baxter
|
|
| Orchestrator |
James B. Campbell
|
|
| Sound Recordist |
Albert Romero
|
|
| Boom Operator |
Earl Sampson
|
|
| Assistant Sound Editor |
Peter C. Barbour
|
|
| Music Editor |
Kenneth Karman
|
|
| Production Sound Mixer |
William B. Kaplan
|
|
| Scoring Mixer |
Dennis Sands
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Foley Mixer |
Greg Orloff
|
|
| Foley Artist |
Ellen Heuer
|
|
| Conductor |
Alan Silvestri
|
|
| Camera | Director of Photography |
Dean Cundey
|
| Still Photographer |
Ralph Nelson Jr.
|
|
| Camera Operator |
Raymond Stella
|
|
| Additional Camera |
Casey Hotchkiss
|
|
| Key Grip |
Ron Cardarelli
|
|
| First Assistant Camera |
Clyde E. Bryan
|
|
| Grip |
Marty Dobkousky
|
|
| Dolly Grip |
Al LaVerde
|
|
| Best Boy Grip |
Sid Lucero
|
|
| Second Assistant Camera |
Larry D. Davis
|
|
| Camera Loader |
Jolanda Wipfli
|
|
| Assistant Camera |
Jalal Pashandi
|
|
| Production | Producer |
Bob Gale
Neil Canton
|
| Casting |
Judy Taylor
Valorie Massalas
Mike Fenton
|
|
| Executive Producer |
Steven Spielberg
Kathleen Kennedy
Frank Marshall
|
|
| Associate Producer |
Steve Starkey
|
|
| Production Coordinator |
Lata Ryan
|
|
| Unit Production Manager |
Joan Bradshaw
|
|
| Location Manager |
Paul Pav
|
|
| Production Accountant |
Stevie Lazo
|
|
| Production Assistant |
Elizabeth Ann Bundschu
|
|
| Assistant Accountant |
Colleen Arnaud
|
|
| Assistant Production Coordinator |
Susan Spencer Robbins
|
|
| General Manager |
Scott Ross
|
|
| Casting Assistant |
Joni Kearney
|
|
| Directing | Director |
Robert Zemeckis
|
| Script Supervisor |
Marion Tumen
|
|
| First Assistant Director |
David McGiffert
|
|
| Second Assistant Director |
Cara Giallanza
|
|
| Second Unit Director |
Max Kleven
|
|
| Editing | Editor |
Harry Keramidas
Arthur Schmidt
|
| Color Timer |
Dale E. Grahn
|
|
| Editorial Coordinator |
Dawn Oltman
|
|
| Associate Editor |
Peter Lonsdale
|
|
| Assistant Editor |
Janet Fiona Mason
|
|
| Negative Cutter |
Kevin Havner
|
|
| Writing | Screenplay |
Bob Gale
|
| Characters |
Robert Zemeckis
Bob Gale
|
|
| Story |
Robert Zemeckis
Bob Gale
|
|
| Crew | Stunts |
Charles Croughwell
John-Clay Scott
Richie Gaona
Will Cascio
David Rowden
Greg Wayne Elam
Mike Watson
R.L. Tolbert
Karen E. Laine
Pat Romano
Gary Morgan
Tony Brubaker
|
| Video Assist Operator |
Steve Irwin
|
|
| Carpenter |
Marc Fambro
|
|
| Utility Stunts |
Bobby Aldridge
|
|
| Propmaker |
Neil Garland
|
|
| Driver |
Richard Burch
|
|
| Post Production Supervisor |
Martin Cohen
|
|
| Visual Effects Art Director |
John Bell
|
|
| Stunt Coordinator |
Walter Scott
|
|
| Visual Effects Editor |
Timothy Eaton
|
|
| Craft Service |
Tim Gonzales
|
|
| Transportation Co-Captain |
Keith O'Brien
|
|
| Unit Publicist |
Michael Klastorin
|
|
| Production Controller |
Bonne Radford
|
|
| Transportation Coordinator |
Russell McEntyre
|
|
| Choreographer |
Brad Jeffries
|
|
| Transportation Captain |
Dale Henry
|
|
| Special Effects Technician |
Thomas R. Homsher
|
|
| Stunt Double |
Cheryl Wheeler Duncan
|
|
| Costume & Make-Up | Makeup Artist |
Nancy J. Hvasta Leonardi
Ellis Burman Jr.
|
| Costume Design |
Joanna Johnston
|
|
| Hairstylist |
Allen Payne
Hazel Catmull
Dorothy Byrne
|
|
| Set Dressing Artist |
Larry Boyd
|
|
| Makeup Designer |
Ken Chase
|
|
| Costume Supervisor |
Nancy McArdle
|
|
| Assistant Makeup Artist |
Karen Kubeck
|
|
| Costumer |
Gala Autumn
|
|
| Lighting | Electrician |
Robert P. Quiroz
|
| Gaffer |
Peter Clarson
|
|
| Best Boy Electric |
John D. Todd
|
|
| Lighting Technician |
Steve Chandler
|
|
| Assistant Chief Lighting Technician |
Thomas Marshall
|
|
| Chief Lighting Technician |
Mark Walthour
|
|
| Key Rigging Grip |
Bill Baker
|
|
| Visual Effects | Visual Effects Producer |
Suella Kennedy
|
| Visual Effects Supervisor |
Ken Ralston
|
|
| Special Effects Supervisor |
Michael Lantieri
|
|
| Animation Supervisor |
Wes Takahashi
|
|
| Visual Effects Coordinator |
Kim Bromley
|
|
| VFX Artist |
Loring Doyle
|
|
| Animation Coordinator |
Judith Weaver
|
|
| Department | Role | Name |







