Ratings
Financials
Revenue: $103,215,094
Budget: $18,000,000
Profit: + $85,215,094
Movie Details
Tag Line: How did we end up here?
Status: Released
Average Rating: 7
Release Date: Oct 17, 2014
Rating: 2014-10-23
Run Time: 2h 00m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: TSG Entertainment , Worldview Entertainment , New Regency Pictures , M Productions , Le Grisbi Productions
Sources:
Genres
Keywords
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Synopsis
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
Crew
| Department | Role | Name |
|---|---|---|
| Crew | Stunts |
Desira Pesta
Kim Rideout
J.C. Robaina
Heidi Germaine Schnappauf
Scott Burik
Caroline Vexler
Balint Pinczehelyi
Natalie M. Meyer
Mick O'Rourke
Thomas Place
Aja Frary
Declan Mulvey
Jeremy Sample
Peter Epstein
Josh Lakatos
Thomas La Marche
George B. Colucci Jr.
Victor Paguia
Nicole Callender
Paul Lacovara
Stacy Courtney
Tim Gallin
Shawnna Thibodeau
Drew Leary
Jason Silvis
Christopher Place
Blaise Corrigan
|
| Stunt Double |
Benjamin Kanes
Trampas Thompson
|
|
| Transportation Coordinator |
Daniel Matthews
|
|
| Unit Publicist |
Emma Cooper
|
|
| Stunt Coordinator |
Stephen A. Pope
|
|
| Visual Effects Editor |
Francis Clément
|
|
| Special Effects Coordinator |
Johann Kunz
|
|
| Generator Operator |
Matthew Rohn
|
|
| CG Supervisor |
Sebastien Francoeur
|
|
| Loader |
Jon Sandin
|
|
| Directing | Director |
Alejandro González Iñárritu
|
| Script Supervisor |
Eva Z. Cabrera
|
|
| Second Assistant Director |
Amy Lauritsen
|
|
| Second Second Assistant Director |
Catherine Feeny
|
|
| First Assistant Director |
Peter Kohn
|
|
| Camera | Director of Photography |
Emmanuel Lubezki
|
| Still Photographer |
Atsushi Nishijima
Alison Cohen Rosa
|
|
| Steadicam Operator |
Chris Haarhoff
|
|
| Additional Photography |
Rodrigo Prieto
|
|
| Best Boy Grip |
Paul Candrilli
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| Grip |
Simon Vincent
|
|
| Digital Imaging Technician |
Abby Levine
|
|
| Dolly Grip |
James Heerdegen
|
|
| First Assistant Camera |
Gregor Tavenner
|
|
| Second Assistant Camera |
Beka Venezia
|
|
| Production | Producer |
Arnon Milchan
Alejandro González Iñárritu
James W. Skotchdopole
John Lesher
|
| Casting |
Francine Maisler
|
|
| Executive Producer |
Molly Conners
Sarah E. Johnson
Christopher Woodrow
|
|
| Associate Producer |
Nicolás Giacobone
Drew P. Houpt
Alexander Dinelaris
Christina Won
|
|
| Post Production Coordinator |
Matthew Wells
|
|
| Art | Production Design |
Kevin Thompson
|
| Assistant Art Director |
David Meyer
Chris Shriver
|
|
| Leadman |
Gerald DeTitta
|
|
| Art Direction |
Stephen H. Carter
|
|
| Art Department Coordinator |
Gay Howard
|
|
| Construction Coordinator |
Joseph A. Alfieri Jr.
|
|
| Set Decoration |
George DeTitta Jr.
|
|
| Property Master |
Martin Lasowitz
|
|
| Construction Grip |
Chris Marzulli
Geoffrey D. Pound
|
|
| Key Construction Grip |
Steve Fratianni
|
|
| Key Carpenter |
Michael Acevedo
|
|
| Set Dresser |
Matthew DeTitta
Timothy Joliat
|
|
| Assistant Property Master |
Travis Quegan
Joel Custer
|
|
| Graphic Designer |
Eric Helmin
|
|
| Set Decoration Buyer |
Judy Gurr
|
|
| Assistant Set Decoration |
Dan DeTitta
|
|
| Editing | Editor |
Stephen Mirrione
Douglas Crise
|
| First Assistant Editor |
Corey Bayes
|
|
| Digital Intermediate |
Bob Schneider
Michael Dillon
|
|
| Sound | Sound Designer |
Aaron Glascock
Martín Hernández
Jeremy Peirson
|
| Sound Effects Editor |
Roland N. Thai
|
|
| Sound Re-Recording Mixer |
Bill Meadows
Skip Lievsay
Frank A. Montaño
Tom Ozanich
Jon Taylor
|
|
| Music Editor |
Martín Hernández
Will Kaplan
|
|
| Supervising Dialogue Editor |
Thierry J. Couturier
Michelle Pazer
|
|
| Sound Recordist |
Mark Purcell
Bradford Bell
Sean Madsen
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Foley Artist |
Jeffrey Wilhoit
Catherine Harper
Gary Marullo
|
|
| Dialogue Editor |
Glynna Grimala
Michele Perrone
Albert Gasser
|
|
| Supervising ADR Editor |
Thierry J. Couturier
Michelle Pazer
|
|
| ADR Editor |
Michele Perrone
|
|
| Production Sound Mixer |
Thomas Varga
|
|
| Foley Editor |
Joe Dzuban
|
|
| Original Music Composer |
Antonio Sánchez
|
|
| Visual Effects | Visual Effects Producer |
Isabelle Langlois
Ivy Agregan
|
| Visual Effects Supervisor |
Ara Khanikian
|
|
| Animation |
Raphael Letertre
Soal Givord
Jocelyn Hudon
|
|
| Visual Effects Production Assistant |
Vincent Bergeron
Amelie Thomas
Jill Miller
William Cote
|
|
| Digital Compositor |
Alice Pépujol
Alexis Belanger
Jean-Michel St-Pierre Lapierre
|
|
| Modeling |
Carl Gagnon
Patrice Poissant
Guillaume Champagne
|
|
| Visual Effects Production Manager |
Adam O'Brien-Locke
David Crawford
|
|
| Compositing Supervisor |
Eloi Brunelle
|
|
| VFX Director of Photography |
Robert Bock
|
|
| Matte Painter |
Matthieu Veillette
|
|
| Lighting | Rigging Gaffer |
Thomas O'Connor
|
| Gaffer |
Robert Sciretta
|
|
| Electrician |
George Selden
Luis Contreras
Sean Sciretta
|
|
| Best Boy Electric |
Peter Colavito
|
|
| Key Rigging Grip |
James Boniece
|
|
| Rigging Grip |
Joseph Fleming
Michael A. McFadden
Cooper Boniece
|
|
| Costume & Make-Up | Costume Design |
Albert Wolsky
|
| Costume Supervisor |
Marcia Patten
|
|
| Makeup Department Head |
Judy Chin
|
|
| Set Costumer |
Monica Ruiz-Ziegler
Winsome G. McKoy
|
|
| Key Hair Stylist |
Kat Drazen
|
|
| Set Dressing Manager |
Jolie Scherberger
|
|
| Hair Department Head |
Jerry Popolis
|
|
| Key Makeup Artist |
Rondi Scott
|
|
| Writing | Writer |
Alejandro González Iñárritu
Alexander Dinelaris
Nicolás Giacobone
Armando Bo
|
| Short Story |
Raymond Carver
|
|
| Department | Role | Name |







