Black and White
(1999) What happens when you mix it up? | Released
Ratings
47%
4.7
5
25%
Financials
Revenue: $5,241,315
Budget: $10,000,000
Profit: - $-4,758,685
Movie Details
Tag Line: What happens when you mix it up?
Status: Released
Average Rating: 5
Release Date: Sep 4, 1999
Rating: 1999-09-04
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Bigel / Mailer Films , Palm Pictures , Screen Gems
Sources:
Genres
Keywords
People Rated This
Where to watch Black and White
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Synopsis
Rich Bower is an up-and-coming star in the hip-hop world. Everyone wants to be around him, including Raven and her fellow upper-class white high school friends. The growing appeal of black culture among white teens fascinates documentary filmmaker Sam Donager, who sets out to chronicle it with her husband, Terry. But before Bower was a rapper, he was a gangster, and his criminal past comes back to haunt him and all those around him.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
James Toback
|
| Directing | Director |
James Toback
|
| First Assistant Director |
Vince P. Maggio
|
|
| Second Assistant Director |
Michael Lerman
|
|
| Script Supervisor |
Maureen Tuohy
|
|
| Production | Producer |
Michael Mailer
Daniel Bigel
Ron Rotholz
|
| Executive Producer |
Hooman Majd
Edward R. Pressman
Mark Burg
Oren Koules
|
|
| Associate Producer |
Oliver "Power" Grant
Alinur Velidedeoglu
Raekwon
|
|
| Line Producer |
Jennifer Roth
|
|
| Casting |
Louis DiGiaimo
Stephanie Corsalini
|
|
| Production Manager |
Jonathan Manzo
Jill Rubin
|
|
| Production Supervisor |
Exile Ramirez
|
|
| Production Coordinator |
Livia Monte
|
|
| Location Manager |
Jonathan Shepard
|
|
| Post Production Accountant |
John B. Finn
|
|
| Extras Casting |
Winsome Sinclair
|
|
| Camera | Director of Photography |
David M. Ferrara
|
| First Assistant Camera |
Jamie A. Marlowe
|
|
| Second Assistant Camera |
Kate Fix
|
|
| Steadicam Operator |
Will Arnot
Sandy Hays
|
|
| Editing | Editor |
Myron Kerstein
|
| First Assistant Editor |
Tim Streeto
|
|
| Color Timer |
Phil Hetos
|
|
| Negative Cutter |
Gary Burritt
|
|
| Art | Production Design |
Anne Ross
|
| Art Direction |
Alisa Grifo
|
|
| Assistant Art Director |
Casey Benjamin
|
|
| Set Decoration |
Maureen Osborne
|
|
| Property Master |
Rae McGrath
|
|
| Location Scout |
Harry Tappan Heher
|
|
| Costume & Make-Up | Costume Design |
Jacki Roach
|
| Key Makeup Artist |
Nuria Sitja
|
|
| Key Hair Stylist |
Melissa Yonkey
|
|
| Sound | Music Supervisor |
Oliver "Power" Grant
|
| Sound Mixer |
Antonio L. Arroyo
Ben Jacob
|
|
| Boom Operator |
John Gutierrez
|
|
| Supervising Sound Editor |
Byron Wilson
|
|
| Sound Re-Recording Mixer |
Peter Waggoner
|
|
| Additional Sound Re-Recording Mixer |
Robert Fernandez
|
|
| Foley Recordist |
Joe Dohner
|
|
| Foley Artist |
Brian Vancho
|
|
| ADR Mixer |
Matthew C. Beville
|
|
| ADR Recordist |
Bobby Johanson
Thor Benitez
|
|
| Original Music Composer |
Oliver "Power" Grant
|
|
| Crew | Post Production Supervisor |
Dan Genetti
Seth I. Shire
|
| Cableman |
Dan Paikin
|
|
| Special Effects Coordinator |
Drew Jiritano
|
|
| Transportation Captain |
Kevin Flynn
Robert Buckman
|
|
| Lighting | Gaffer |
Seamus Tierney
|
| Key Rigging Grip |
Ted Lehane
|
|
| Department | Role | Name |