Ratings
Financials
Revenue: $0
Budget: $3,000,000
Profit: - $-3,000,000
Movie Details
Tag Line: There are no armies. There is no glory. This fight is one on one.
Status: Released
Average Rating: 5
Release Date: May 1, 1988
Rating: 1988-05-01
Run Time: 1h 33m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Magus Productions , Rotecon B.V.
Sources:
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Keywords
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Synopsis
One of the US Air Force's most modern tactical aircrafts, an F-100 with a new laser guidance system, crashes into the sea near Malta - a region where the Soviet forces are highly present, too. The CIA immediately sends out their best secret agent, Ken Tani, to salvage the system before it falls into enemy hands. To ensure his loyalty, they bring his two young sons to a nearby hotel on the island.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Eric Karson
|
| First Assistant Director |
Sharon Shamir
|
|
| Second Assistant Director |
Jerry Ciantar
|
|
| Script Supervisor |
Rakefet Lapid
|
|
| Writing | Story |
Shimon Arama
|
| Writer |
Michael Gonzales
A.E. Peters
|
|
| Production | Producer |
Shimon Arama
|
| Associate Producer |
Ash R. Shah
Jonathan Lurie
|
|
| Executive Producer |
Sunil R. Shah
|
|
| Casting |
Penny Perry
|
|
| Post Production Coordinator |
Julie Rudolph
|
|
| Executive In Charge Of Production |
Shaul Dishy
|
|
| Production Manager |
Elaine Ford
Ehud Bleiberg
|
|
| Extras Casting |
Carmen Borg
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Location Manager |
Albert Galea
|
|
| Production Coordinator |
Kimberly Rossum
|
|
| Production Secretary |
Rita Galea
Johanna Lack
Michele Walker
|
|
| Sound | Music |
Terry Plumeri
|
| Production Sound Mixer |
Shlomo Freiman
|
|
| Boom Operator |
Shimon Freiman
|
|
| Supervising Sound Editor |
John Leveque
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Foley Supervisor |
Marvin Walowitz
|
|
| Foley Editor |
Marvin Walowitz
|
|
| Sound Editor |
J.H. Arrufat
David A. Whittaker
|
|
| Music Editor |
John Mick
|
|
| Sound Effects |
Gary Blufer
|
|
| Foley Artist |
Gregg Barbanell
Robin Harlin
|
|
| Sound Re-Recording Mixer |
John Wilkinson
Charles Grenzbach
Richard D. Rogers
|
|
| Editing | Editor |
Michael Kelly
|
| Assistant Editor |
John Spence
Paul Murphy
Lance Laurienzo
Raymond A. Grech
|
|
| Art | Set Decoration |
Mike Higgins
|
| Property Master |
Ram Baruch
|
|
| Crew | Fight Choreographer |
Sho Kosugi
|
| Special Effects Coordinator |
Eddie Surkin
|
|
| Stunt Coordinator |
Jon Conrad Pochron
|
|
| Set Medic |
Jacqui Mifsud
|
|
| Craft Service |
Tony Zammit
Mario Metcaq
|
|
| Camera | Director of Photography |
George Koblasa
|
| Camera Operator |
Michael Scott
|
|
| First Assistant Camera |
Joseph Zicherman
|
|
| Second Assistant Camera |
Uri Sharon
Antonio Beltrán Hernández
|
|
| Still Photographer |
Peter Kernot
|
|
| Key Grip |
Jim Kane
|
|
| Grip |
Nicholas Spiteri
Amnon Noriani
|
|
| Costume & Make-Up | Wardrobe Supervisor |
Rakefet Levy
|
| Makeup Supervisor |
Rinat Aloni
|
|
| Hairstylist |
Lina Talmor
|
|
| Wardrobe Assistant |
Penny Hakien
Yvonne Zarb Cousin
|
|
| Lighting | Gaffer |
Moshe Yakobovesky
|
| Best Boy Electric |
Victor Lefelman
|
|
| Electrician |
Salvo Zammit
Charles Newbould
Alfred Caruana
|
|
| Visual Effects | Special Effects Supervisor |
Josh Hakian
|
| Department | Role | Name |







