Call Me by Your Name
(2017) Is it better to speak or die? | Released
Ratings
93%
8.1
8.1
95%
Financials
Revenue: $43,143,046
Budget: $3,500,000
Profit: + $39,643,046
Movie Details
Tag Line: Is it better to speak or die?
Status: Released
Average Rating: 8
Release Date: Jul 28, 2017
Rating: 2017-10-12
Run Time: 2h 12m
Original Language: English
Website: Link
Production Countries: Brazil , France , Italy , United States of America
Production Companies: La Cinéfacture , Frenesy Film , M.Y.R.A. Entertainment , RT Features , Water's End Productions , Memento Films International
Sources:
Genres
Keywords
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Where to watch Call Me by Your Name
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Synopsis
In 1980s Italy, a relationship begins between seventeen-year-old teenage Elio and the older adult man hired as his father's research assistant.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Luca Guadagnino
|
| Assistant Director |
Manuela D'Ovidio
Paolo Sponzilli
|
|
| First Assistant Director |
Dominique Delany
|
|
| Second Assistant Director |
Riccardo Zurla
|
|
| Script Supervisor |
Rachel Griffiths
|
|
| Second Unit Director |
Ferdinando Cito Filomarino
|
|
| Writing | Screenplay |
James Ivory
|
| Novel |
André Aciman
|
|
| Production | Producer |
Emilie Georges
Luca Guadagnino
Rodrigo Teixeira
Marco Morabito
Peter Spears
Howard Rosenman
James Ivory
|
| Executive Producer |
Margarethe Baillou
Naima Abed
Lourenço Sant'Anna
Tom Dolby
Sophie Mas
Nicholas Kaiser
Francesco Melzi d'Eril
Derek Simonds
|
|
| Associate Producer |
Allan Neuwirth
Abdi Nazemian
Kim Surowicz
Susanne Filkins
|
|
| Unit Production Manager |
Andrea Alunni
|
|
| Line Producer |
Stella Savino
|
|
| Casting |
Stella Savino
|
|
| Unit Manager |
Lucia Guidano
|
|
| Production Accountant |
Fatim Camara
Massimo Aversano
|
|
| Payroll Accountant |
Federica De Vita
|
|
| Production Coordinator |
Christian Giuliani
|
|
| Researcher |
Giangi Giordano
|
|
| Production Consultant |
Manuela Cavallo
|
|
| Publicist |
Guido Gotz
|
|
| Producer's Assistant |
Emma Galli
|
|
| Editing | Editor |
Walter Fasano
|
| First Assistant Editor |
Francesca Addonizio
|
|
| Additional Editor |
Neil Jesuele
|
|
| Colorist |
Chaitawat Thrisansri
Andrea Gargano
Alessandro Pelliccia
|
|
| Dailies Technician |
Luca Del Torre
|
|
| Art | Production Design |
Samuel Deshors
|
| Leadman |
Massimo Eleonori
|
|
| Art Direction |
Roberta Federico
|
|
| Property Master |
Stefano Nagni
Massimo Eleonori
|
|
| Set Decoration |
Sandro Piccarozzi
Violante Visconti di Modrone
|
|
| Assistant Art Director |
Briseide Siciliano
|
|
| Set Dresser |
Adonay Marin Conde
|
|
| Art Direction Intern |
Violante Visconti di Modrone
|
|
| Assistant Set Decoration |
Luciano Cammerieri
Rosa Trapani
|
|
| Assistant Decorator |
Luciano Cammerieri
|
|
| Painter |
Paola Sforzini
Viviana Lo Russo
|
|
| Greensman |
Gaia Chaillet Giusti
|
|
| Title Designer |
Chen Li
|
|
| Camera | Director of Photography |
Sayombhu Mukdeeprom
|
| Still Photographer |
Alessio Bolzoni
|
|
| Second Assistant Camera |
Niccolò Brindasso
Luce Bertani
Luca Prandoni
|
|
| Key Grip |
Massimo Spina
|
|
| First Assistant Camera |
Massimo Cecchini
|
|
| Grip |
Daniele Dessena
Diego Tessarin
|
|
| Assistant Camera |
Romano Molter
|
|
| Focus Puller |
Gaia Ferme
|
|
| Costume & Make-Up | Costume Design |
Giulia Piersanti
|
| Costume Assistant |
Alessia Boccardo
Maria Giulia Zannoni
Angelo Malvuccio
|
|
| On Set Dresser |
Stefano Nagni
|
|
| Assistant Costume Designer |
Le Yen Mai
|
|
| Hairstylist |
Manolo García
|
|
| Makeup Artist |
Fernanda Perez
Paola Gattabrusi
|
|
| Crew | Post Production Supervisor |
Sacha Guttenstein
|
| Title Graphics |
Chen Li
|
|
| Dialogue Coach |
Dany Hericourt
|
|
| Choreographer |
Paolo Rocchi
|
|
| Generator Operator |
Simone Balestrini
|
|
| Technical Advisor |
Carlo Antonelli
|
|
| Thanks |
Dakota Johnson
Mark Ankner
Ralph Lauren
Tilda Swinton
Ida Dominijanni
|
|
| Sound | Sound Effects Editor |
Federico Amodio
Paolo Amici
Fabrizio Quadroli
David Quadroli
Daniele Quadroli
|
| Production Sound Mixer |
Yves-Marie Omnes
|
|
| Boom Operator |
Thomas Gastinel
|
|
| Dialogue Editor |
Davide Favargiotti
|
|
| Sound Re-Recording Assistant |
Clément Laforce
|
|
| Music Consultant |
Gerry Gershman
Roberto Solci
|
|
| Foley |
Italo Cameracanna
|
|
| Music Editor |
Walter Fasano
|
|
| Music Coordinator |
Lindsey Taylor
|
|
| Sound Editor |
Riccardo Cameracanna
|
|
| Sound Re-Recording Mixer |
Jean-Pierre Laforce
|
|
| Musician |
Jellybean Benítez
Sufjan Stevens
|
|
| Music Supervisor |
Robin Urdang
|
|
| ADR Mixer |
Mitch Dorf
|
|
| Sound Mixer |
Adam Howell
|
|
| Additional Sound Re-Recording Mixer |
Alessandro Boscolo
|
|
| Sound Mix Technician |
François Lambert
|
|
| Songs |
Sufjan Stevens
|
|
| Original Music Composer |
Sufjan Stevens
|
|
| Music |
John Adams
|
|
| Visual Effects | Digital Compositors |
Claudia Gagliardi
Emanuel Bartolozzi
Oriana Pioli Quero
Mario Liuzzi
Charlotte Brancucci
Davide Camposano
Stefano Di Segni
Edoardo Ottone
Andrea Ceccarelli
Sara Tomarchio
Fabio Cattaneo
Mattia Fede
Lorenzo Pirri
|
| Visual Effects Producer |
Virginia Cefaly
|
|
| Visual Effects Supervisor |
Luca Saviotti
|
|
| Compositing Lead |
Dafne Sartori
|
|
| Lighting | Electrician |
Fabio Proserpio
Simone Lucchetti
Luca Pardini
|
| Gaffer |
Francesco Galli
|
|
| Department | Role | Name |