Easy to Learn, Hard to Master: The Fate of Atari
(2017) | Released
Ratings
6.2
6.3
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Feb 1, 2017
Rating: 2017-08-15
Run Time: 1h 50m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Junk Food Films
Sources:
Genres
Keywords
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Synopsis
Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Researcher |
Cecilia Botta
Davide Briani
|
| Executive Producer |
Tomaso Walliser
Bruno Grampa
Mark Pilgrim
Jeri Ellsworth
|
|
| Producer |
Lorenzo Faggi
|
|
| Production Designer |
Mario Albertini
|
|
| Line Producer |
Kent Newman
Tsia Moses
|
|
| Directing | Director |
Tomaso Walliser
Davide E. Agosta
|
| Writing | Writer |
Tomaso Walliser
|
| Script Consultant |
Bruno Grampa
|
|
| Sound | Vocals |
Bil Herd
|
| Sound Engineer |
Hugh Griffiths
Dale Cowdin
|
|
| Sound Mixer |
P.I.G.
|
|
| Sound |
P.I.G.
Zoe Blade
|
|
| Camera | Director of Photography |
Emilio Colombo
|
| Editing | Editor |
William T. Soros
|
| Color Grading |
Walter Salimoos
|
|
| Art | Art Direction |
Tom Navarone
|
| Crew | Thanks |
Jason Scott
Manlio Walliser
Eleonora Manzoni
|
| Department | Role | Name |