Family Business
(1989) There's nothing like a good robbery to bring a family together. | Released
Ratings
5.7
5.7
38%
Financials
Revenue: $12,195,695
Budget: $0
Profit: + $12,195,695
Movie Details
Tag Line: There's nothing like a good robbery to bring a family together.
Status: Released
Average Rating: 6
Release Date: Dec 6, 1989
Rating: 1989-12-15
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures , Gordon Company , Regency International Pictures , The A. Milchan Investment Group
Sources:
Genres
Keywords
People Rated This
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Synopsis
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Sidney Lumet
|
| First Assistant Director |
Michael Haley
|
|
| Second Assistant Director |
Nathalie Vadim
|
|
| Second Second Assistant Director |
Daniel M. Stillman
|
|
| Continuity |
Mary A. Kelly
|
|
| Writing | Novel |
Vincent Patrick
|
| Screenplay |
Vincent Patrick
|
|
| Production | Producer |
Lawrence Gordon
|
| Executive Producer |
Burtt Harris
Jennifer Ogden
|
|
| Unit Production Manager |
Jennifer Ogden
|
|
| Casting |
Meg Simon
Fran Kumin
|
|
| Production Coordinator |
Judith Lyn Brown
|
|
| Location Manager |
Stephen Danza
|
|
| Production Accountant |
Dominique Bruballa
|
|
| Location Assistant |
Robert McClung
Paul Cremo
|
|
| Extras Casting |
Joy Todd
Linda Carolei
|
|
| Sound | Original Music Composer |
Cy Coleman
|
| Supervising Sound Editor |
Maurice Schell
|
|
| Sound Editor |
Richard P. Cirincione
Peter Odabashian
Bruce Kitzmeyer
|
|
| ADR Editor |
Jane McCulley
|
|
| Assistant Sound Editor |
James H. Nau
|
|
| Sound Re-Recording Mixer |
Lee Dichter
|
|
| Sound Mixer |
Allan Byer
|
|
| Orchestrator |
Sonny Kompanek
|
|
| Camera | Director of Photography |
Andrzej Bartkowiak
|
| Camera Operator |
Tom Priestley Jr.
|
|
| First Assistant Camera |
Gary Muller
|
|
| Second Assistant Camera |
Andrew Priestley
|
|
| Key Grip |
Norman Buck
|
|
| Dolly Grip |
James McGrath
|
|
| Still Photographer |
John Seakwood
|
|
| Editing | Editor |
Andrew Mondshein
|
| Assistant Editor |
Richard J. Rossi
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
|
| Assistant Costume Designer |
Gary Jones
|
|
| Makeup Artist |
Joe Cranzano
|
|
| Hairstylist |
Bob Grimaldi
|
|
| Art | Production Design |
Philip Rosenberg
|
| Art Direction |
Robert Guerra
|
|
| Set Decoration |
Gary J. Brink
|
|
| Leadman |
William F. Reynolds
|
|
| Property Master |
Walter Stocklin
|
|
| Art Department Coordinator |
Siv Sandstrom
|
|
| Crew | Post Production Supervisor |
Lilith Jacobs
|
| Unit Publicist |
Bruce Bahrenburg
|
|
| Transportation Captain |
John Leonidas
|
|
| Lighting | Gaffer |
William Ward
|
| Best Boy Electric |
Francis J. McBride
|
|
| Key Rigging Grip |
Michael J. Fabiano
|
|
| Department | Role | Name |