Fear and Loathing in Las Vegas
(1998) Buy the ticket, take the ride. | Released
Ratings
41%
7.2
7.7
49%
Financials
Revenue: $10,700,000
Budget: $18,500,000
Profit: - $-7,800,000
Movie Details
Tag Line: Buy the ticket, take the ride.
Status: Released
Average Rating: 7
Release Date: May 22, 1998
Rating: 1998-05-19
Run Time: 1h 58m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Summit Entertainment , Universal Pictures , Fear and Loathing LLC , Rhino Films , Shark Productions
Sources:
Genres
Keywords
People Rated This
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Synopsis
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Lesley Walker
|
| Color Timer |
David Rees
|
|
| Assistant Editor |
Jeremy Hume
|
|
| Art | Set Decoration |
Nancy Haigh
|
| Art Direction |
Chris Gorak
|
|
| Production Design |
Alex McDowell
|
|
| Painter |
Ronald Day
|
|
| Set Designer |
Lynn Christopher
|
|
| Sculptor |
Glen Hanz
|
|
| Leadman |
Mark Weissenfluh
|
|
| Standby Painter |
Mark Blumenthal
|
|
| Production Illustrator |
Tani Kunitake
|
|
| Art Department Coordinator |
Andrea Carter
|
|
| Greensman |
Frank McEldowney
|
|
| Construction Coordinator |
Dan Pemberton
|
|
| Art Department Assistant |
Dianne Chadwick
|
|
| Construction Foreman |
Tom Lifsey
|
|
| Set Dresser |
Paige Augustine
|
|
| Swing |
P. Scott Bailey
|
|
| Graphic Designer |
Martin Charles
|
|
| Property Master |
Will Blount
|
|
| Production | Producer |
Patrick Cassavetti
Laila Nabulsi
Stephen Nemeth
|
| Casting |
Margery Simkin
|
|
| Co-Producer |
Elliot Lewis Rosenblatt
|
|
| Associate Producer |
John Jergens
|
|
| Executive Producer |
Harold Bronson
Richard Foos
|
|
| Researcher |
Deborah Ricketts
|
|
| Production Coordinator |
Pearl A. Lucero
|
|
| Location Manager |
Molly Allen
|
|
| Unit Production Manager |
Mark Indig
|
|
| Assistant Production Coordinator |
Nancy Restuccia
Alisa Moeller
|
|
| Casting Assistant |
Carmen Cuba
|
|
| Production Assistant |
Keli Craig
|
|
| First Assistant Accountant |
Susan Giordano
|
|
| Location Assistant |
Serena Baker
|
|
| Assistant Location Manager |
R. Scott Poole
|
|
| Payroll Accountant |
Kristen Felan
|
|
| Second Assistant Accountant |
Jenni Wieland
|
|
| Directing | Director |
Terry Gilliam
|
| Script Supervisor |
Karon May
|
|
| Second Assistant Director |
Christina Fong
|
|
| First Assistant Director |
Philip A. Patterson
|
|
| Second Unit Director |
Bruce Logan
|
|
| Second Second Assistant Director |
Seth Edelstein
|
|
| Costume & Make-Up | Costume Design |
Julie Weiss
|
| Hairstylist |
Bridget Cook
|
|
| Seamstress |
Olga Ishkhanova
|
|
| Wigmaker |
Bill Fletcher
|
|
| Costume Supervisor |
Eden Clark Coblenz
|
|
| Set Costumer |
Linda S. Cormany
|
|
| Assistant Costume Designer |
Kimberly Adams
|
|
| Key Makeup Artist |
Cheryl Ann Nick
|
|
| Ager/Dyer |
Rebeka L. Roberts
|
|
| Key Costumer |
John Linsmeier
|
|
| Makeup Artist |
Lisa Rocco
|
|
| Wardrobe Assistant |
Amy Gilliam
|
|
| Costumer |
Bryan Birge
|
|
| Camera | Director of Photography |
Nicola Pecorini
|
| Camera Operator |
Frank Perl
|
|
| First Assistant Camera |
Łukasz Bielan
|
|
| Still Photographer |
Peter Mountain
|
|
| Steadicam Operator |
Nicola Pecorini
|
|
| Key Grip |
Peter Chrimes
|
|
| Camera Loader |
Lila Byall
|
|
| Dolly Grip |
Carlos M. Gallardo
|
|
| Grip |
Michael Mick Armstrong
|
|
| Camera Production Assistant |
Sonja Rom
|
|
| Best Boy Grip |
Vidal Cohen
|
|
| Second Assistant Camera |
Warren Feldman
|
|
| First Assistant "A" Camera |
Steve Itano
|
|
| Writing | Screenplay |
Terry Gilliam
Alex Cox
Tony Grisoni
Tod Davies
|
| Novel |
Hunter S. Thompson
|
|
| Crew | Choreographer |
JoAnn Fregalette Jansen
|
| Makeup Effects |
Rob Bottin
|
|
| Scenic Artist |
Maureen Kropf
|
|
| Unit Publicist |
Michael Singer
|
|
| Picture Car Coordinator |
Randy Benjamin
|
|
| Post Production Supervisor |
Michael Solinger
|
|
| Stand In |
Matt Langenbach
|
|
| Stunts |
Kelly Joe Dugan
Ernie F. Orsatti
|
|
| Driver |
Pedro Amaya
|
|
| Post Production Assistant |
Roanne Moore
|
|
| Stunt Coordinator |
Noon Orsatti
|
|
| Transportation Coordinator |
James Lowder
|
|
| Set Medic |
Gloria M. Fujita
|
|
| Set Production Assistant |
Jimmy Bennett
|
|
| Craft Service |
Gary Gingold
|
|
| Special Effects Coordinator |
Steve Galich
|
|
| Video Assist Operator |
Ian Kelly
|
|
| Transportation Co-Captain |
Pat Stubbs
|
|
| Propmaker |
Earl F. Betts
|
|
| Intern |
Sav Akyüz
|
|
| Stunt Double |
Jimmy Ortega
|
|
| Special Effects Assistant |
Joe Barden
|
|
| Catering |
Jose Gonzales
|
|
| Sound | Original Music Composer |
Ray Cooper
|
| Supervising Sound Editor |
Peter Pennell
|
|
| Production Sound Mixer |
Jay Meagher
|
|
| Boom Operator |
Randy Smith
|
|
| Sound Re-Recording Mixer |
Dominic Lester
|
|
| Music Editor |
Kevin Lane
|
|
| Assistant Sound Editor |
Martin Cantwell
|
|
| Musician |
Caroline Dale
|
|
| ADR Editor |
Joe Gallagher
|
|
| ADR Supervisor |
Stephen Bridgewater
|
|
| Utility Sound |
David Acord
|
|
| Foley Editor |
Bob Risk
|
|
| ADR Mixer |
J.R. Westen
|
|
| ADR Recordist |
Paul Carr
|
|
| Dialogue Editor |
Alan Paley
|
|
| Visual Effects | Visual Effects Coordinator |
Michael Cooper
|
| Special Effects Supervisor |
Ray Svedin
|
|
| Visual Effects Supervisor |
Kent Houston
|
|
| Lighting | Best Boy Electric |
James Babineaux
|
| Electrician |
Reynaldo Barrera
|
|
| Gaffer |
Christopher Lyons
|
|
| Department | Role | Name |