Fifty Shades Darker
(2017) Every fairy tale has a dark side. | Released
Ratings
33%
6.5
4.6
9%
Financials
Revenue: $381,545,846
Budget: $55,000,000
Profit: + $326,545,846
Movie Details
Tag Line: Every fairy tale has a dark side.
Status: Released
Average Rating: 6
Release Date: Feb 8, 2017
Rating: 2017-05-02
Run Time: 1h 58m
Original Language: English
Website: Link
Production Countries: Japan , United States of America
Production Companies: Universal Pictures , Michael De Luca Productions , dentsu , Fuji Television Network , Perfect World Pictures
Sources:
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Keywords
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Where to watch Fifty Shades Darker
Purchaseble on (Rent or Buy episodes, seasons or full series)
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Synopsis
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.
Crew
| Department | Role | Name |
|---|---|---|
| Crew | Stunt Driver |
Janene Carleton
Guy Bews
Jeff Sanca
|
| Stunt Coordinator |
Owen Walstrom
Scott J. Ateah
|
|
| Stunts |
Lisa Chandler
Byron Brisco
Ryan Ennis
Ed Anders
|
|
| CG Supervisor |
Bryan Litson
|
|
| Visual Effects Editor |
Zack Mazerolle
|
|
| Pilot |
Frédéric North
Steve Gray
|
|
| Driver |
Shilo Lavallee
Mike Witherington
Rick Wiley
David Greenbaum
|
|
| Transportation Captain |
Larry Tardif
|
|
| Picture Car Coordinator |
Rick Rasmussen
|
|
| Post Production Supervisor |
Graham Stumpf
|
|
| Stunt Double |
Fraser Corbett
Ryan Handley
Alice Naigeon
|
|
| Unit Publicist |
Guy Adan
|
|
| Dialect Coach |
Michael Buster
Kohli Calhoun
|
|
| Production Controller |
Donna Glasser-Hancock
|
|
| Art | Property Master |
David Dowling
|
| Production Design |
Nelson Coates
|
|
| Art Direction |
Peter Bodnarus
|
|
| Set Decoration |
Carolyn A. Loucks
|
|
| Draughtsman |
Kyle White
|
|
| Supervising Art Director |
Jeremy Stanbridge
|
|
| Assistant Art Director |
Tara Arnett
|
|
| Graphic Designer |
Loree Cameron
|
|
| Greensman |
Dylan Dowd
Adriaan Wagner
|
|
| Construction Coordinator |
Doug Hardwick
|
|
| Set Dresser |
Scott Holburn
|
|
| Construction Buyer |
Jan Holmsten
|
|
| Assistant Property Master |
Spencer Louttit
D. Martin Myatt
|
|
| Set Designer |
Jay Mitchell
Jim Ramsay
|
|
| Assistant Set Decoration |
Shannon Murphy
|
|
| Art Department Coordinator |
Melina Neufeld
|
|
| Title Designer |
Garson Yu
|
|
| Directing | Director |
James Foley
|
| Script Supervisor |
Suze Dunbar
Sandra Montgomery
Anna Rane
|
|
| Second Unit Director |
Scott J. Ateah
|
|
| First Assistant Director |
Paul Barry
|
|
| Second Assistant Director |
Karin Behrenz
Philip Nee Nee
|
|
| Third Assistant Director |
Kameron Bodaly
Amanda Petura
|
|
| Writing | Novel |
E.L. James
|
| Screenplay |
Niall Leonard
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Music Editor |
Bill Abbott
Angie Rubin
|
|
| ADR & Dubbing |
Eliza Pollack Zebert
|
|
| First Assistant Sound Editor |
Matt Cavanaugh
|
|
| Foley |
Alyson Dee Moore
Christopher Alba
|
|
| Sound Re-Recording Mixer |
Frank A. Montaño
Jon Taylor
Oleg Kulchytskyi
|
|
| Music Arranger |
Tom Brown
|
|
| Supervising Sound Editor |
Dane A. Davis
Stephanie Flack
|
|
| ADR Mixer |
Jeff Gomillion
|
|
| Boom Operator |
Tony Wyman
|
|
| Conductor |
Pete Anthony
|
|
| Orchestrator |
Steve Bartek
Edgardo Simone
|
|
| Music Coordinator |
Hillary Holmes
|
|
| Camera | Director of Photography |
John Schwartzman
|
| Aerial Camera Technician |
Jared Slater
|
|
| Aerial Director of Photography |
Phil Pastuhov
Michael Kelem
|
|
| Camera Operator |
Ronald Hersey
Ian Fox
|
|
| Steadicam Operator |
Sasha Proctor
|
|
| Still Photographer |
Doane Gregory
|
|
| First Assistant Camera |
Taylor Matheson
Doug Lavender
Tyler Woeste
|
|
| Best Boy Grip |
Dan Gorval
|
|
| Key Grip |
Kim Olsen
|
|
| Second Assistant "A" Camera |
Rodrigo Carcamo Parga
|
|
| Second Unit Director of Photography |
Roger Vernon
|
|
| Production | Producer |
Dana Brunetti
Michael De Luca
E.L. James
Marcus Viscidi
|
| Casting |
Laray Mayfield
Julie Schubert
|
|
| Casting Associate |
Brittani Ward
|
|
| Researcher |
Mickael Abbate
|
|
| Unit Production Manager |
Barbara Kelly
|
|
| Extras Casting |
Andrea Brown
|
|
| Post Production Coordinator |
Mary Prendergast
|
|
| Production Accountant |
Danny Ostir
|
|
| Production Coordinator |
Kathleen Whelan
|
|
| Editing | Editor |
Richard Francis-Bruce
|
| Digital Intermediate |
Annie Johnson
Stefan Sonnenfeld
|
|
| First Assistant Editor |
Jennifer Spenelli
|
|
| Colorist |
Stefan Sonnenfeld
|
|
| Costume & Make-Up | Costume Design |
Shay Cunliffe
|
| Costume Supervisor |
Janice MacIsaac
Katie Saunders
Shelly Shaw
|
|
| Costume Coordinator |
Ren Boggio
Tara R. Hinecker
Lana S. Krause
|
|
| Ager/Dyer |
Phuong Chau
|
|
| Set Costumer |
Kimberlee Iblings
|
|
| Key Hair Stylist |
Akemi Hart
Amber Kemper
Jennifer Popochock
|
|
| Makeup Department Head |
Evelyne Noraz
|
|
| Assistant Hairstylist |
Renee Dombrosky
Deja Marie Iannone
|
|
| Assistant Makeup Artist |
Megan Harkness
|
|
| Assistant Costume Designer |
Karin Nosella
|
|
| Lighting | Rigging Grip |
Scott Andrew Armstrong
Bryce Munro
Alex Reno
|
| Lighting Technician |
Jesse Deacon
Randy A. Jablonka
Todd Kristianson
Brandon Sparkes
Jeff Zwicker
|
|
| Assistant Chief Lighting Technician |
James M. Jackson
|
|
| Best Boy Electric |
Tom Mitaux
|
|
| Electrician |
Frédéric Thurot
|
|
| Rigging Gaffer |
Todd Turner
|
|
| Visual Effects | Special Effects Supervisor |
Alex Burdett
|
| Department | Role | Name |
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