Fifty Shades Freed
(2018) Don't Miss the Climax | Released
Ratings
31%
6.7
4.4
13%
Financials
Revenue: $368,300,000
Budget: $55,000,000
Profit: + $313,300,000
Movie Details
Tag Line: Don't Miss the Climax
Status: Released
Average Rating: 7
Release Date: Jan 17, 2018
Rating: 2018-05-08
Run Time: 1h 45m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Universal Pictures , Michael De Luca Productions , Perfect World Pictures
Sources:
Genres
Keywords
People Rated This
brian.wittman
Compatibility : N/AShared : N/Amuse.of.june
Compatibility : N/AShared : N/Ajoie.olay
Compatibility : N/AShared : N/Ayoselin.almodovar
Compatibility : N/AShared : N/Ahans.sanjaya
Compatibility : N/AShared : N/Alena.bien
Compatibility : N/AShared : N/Ahoitymk
Compatibility : N/AShared : N/Aanushka.kala
Compatibility : N/AShared : N/A
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Synopsis
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
James Foley
|
| Second Unit First Assistant Director |
David Arnold
|
|
| Second Unit Director |
Scott J. Ateah
Doug Coleman
|
|
| First Assistant Director |
Paul Barry
|
|
| Second Assistant Director |
Karin Behrenz
Philip Nee Nee
|
|
| Assistant Director |
Michael Collins
|
|
| Third Assistant Director |
Paul Jolliot
Amanda Petura
|
|
| Script Supervisor |
Anna Rane
|
|
| Writing | Novel |
E.L. James
|
| Screenplay |
Niall Leonard
|
|
| Art | Production Design |
Nelson Coates
|
| Art Direction |
Peter Bodnarus
|
|
| Supervising Art Director |
Jeremy Stanbridge
|
|
| Set Decoration |
Carolyn A. Loucks
|
|
| Graphic Designer |
Loree Cameron
|
|
| Greensman |
Dylan Dowd
Adriaan Wagner
|
|
| Property Master |
David Dowling
|
|
| Construction Coordinator |
Doug Hardwick
|
|
| Set Dresser |
Scott Holburn
|
|
| Construction Buyer |
Jan Holmsten
|
|
| Assistant Art Director |
Craig Humphries
|
|
| Assistant Property Master |
Spencer Louttit
D. Martin Myatt
|
|
| Storyboard Artist |
Jim Magdaleno
|
|
| Construction Foreman |
Mike McLeod
|
|
| Art Department Coordinator |
Melina Neufeld
|
|
| Set Designer |
Kyle White
|
|
| Title Designer |
Yuanchen Jiang
Garson Yu
|
|
| Editing | Editor |
Richard Francis-Bruce
Debra Neil-Fisher
David S. Clark
|
| First Assistant Editor |
Julian Andraus
Jennifer Spenelli
|
|
| Production | Producer |
E.L. James
Michael De Luca
Dana Brunetti
Marcus Viscidi
|
| Casting |
Laray Mayfield
Corinne Renard-Bendjadi
Julie Schubert
|
|
| Unit Production Manager |
Marcus Viscidi
|
|
| Extras Casting |
Andrea Brown
|
|
| Post Production Coordinator |
Sorta Lim
|
|
| Finishing Producer |
Stephen F. Newnam
|
|
| Production Coordinator |
Kathleen Whelan
Sally Potters
|
|
| Camera | Director of Photography |
John Schwartzman
|
| Aerial Director of Photography |
Steven Desbrow
|
|
| Camera Operator |
Ian Fox
|
|
| Best Boy Grip |
Dan Gorval
|
|
| Still Photographer |
Doane Gregory
|
|
| Additional Director of Photography |
Alar Kivilo
|
|
| Underwater Director of Photography |
Denis Lagrange
|
|
| First Assistant "A" Camera |
Taylor Matheson
|
|
| Key Grip |
Kim Olsen
|
|
| Second Assistant "A" Camera |
Rodrigo Carcamo Parga
|
|
| Steadicam Operator |
Sasha Proctor
|
|
| Aerial Camera |
François Vigon
|
|
| First Assistant "B" Camera |
Tyler Woeste
|
|
| Camera Loader |
Adriene Wyse
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Foley Editor |
Christopher Alba
|
|
| Sound Mixer |
Stéphane Bucher
Mark Noda
|
|
| Boom Operator |
Lawrence L. Commans
|
|
| Supervising Sound Editor |
Stephanie Flack
|
|
| First Assistant Sound Editor |
Matthew W. Kielkopf
|
|
| Sound Re-Recording Mixer |
Frank A. Montaño
Jon Taylor
|
|
| Foley Artist |
Alyson Dee Moore
Christopher Moriana
|
|
| ADR Mixer |
Chris Navarro
Adam Sharpe
|
|
| Assistant Sound Editor |
Jessie Pariseau
|
|
| Foley Mixer |
John Sanacore
|
|
| ADR Coordinator |
Mhairi Wyles-Lang
|
|
| Music Editor |
Bill Abbott
Angie Rubin
|
|
| Music Coordinator |
Hillary Holmes
|
|
| Music Supervisor |
Dana Sano
|
|
| Music Arranger |
Tom Brown
|
|
| Costume & Make-Up | Costume Design |
Shay Cunliffe
|
| Assistant Hairstylist |
Renee Dombrosky
Amber Kemper
|
|
| Assistant Makeup Artist |
Megan Harkness
|
|
| Hair Department Head |
Danna Rutherford
|
|
| Costume Coordinator |
Ren Boggio
|
|
| Costume Supervisor |
Janice MacIsaac
|
|
| Crew | Post Production Supervisor |
Graham Stumpf
|
| Special Effects Coordinator |
Charles-Axel Vollard
|
|
| Stunt Coordinator |
Scott J. Ateah
Doug Coleman
Mickey Giacomazzi
Owen Walstrom
|
|
| Stunt Driver |
Janene Carleton
Michael Hilow
Bret Kiene
Allan Padelford
|
|
| Pilot |
Luc Poullain
|
|
| Unit Publicist |
Guy Adan
|
|
| Dialogue Coach |
Michael Buster
|
|
| Production Controller |
Donna Glasser-Hancock
|
|
| Stunts |
Whitney Coleman
|
|
| Visual Effects | Special Effects Supervisor |
Alex Burdett
Georges Demétrau
|
| Lighting | Rigging Grip |
Scott Andrew Armstrong
Alex Reno
|
| Lighting Technician |
Jesse Deacon
Randy A. Jablonka
Jeff Zwicker
|
|
| Electrician |
Antonin Drigeard
|
|
| Gaffer |
Jean-François Drigeard
|
|
| Assistant Chief Lighting Technician |
James M. Jackson
|
|
| Best Boy Electric |
Tom Mitaux
|
|
| Key Rigging Grip |
Bryce Munro
|
|
| Rigging Gaffer |
Todd Turner
|
|
| Department | Role | Name |