Ratings
Financials
Revenue: $71,142,361
Budget: $35,000,000
Profit: + $36,142,361
Movie Details
Tag Line: Sea Evil
Status: Released
Average Rating: 6
Release Date: Oct 25, 2002
Rating: 2002-10-25
Run Time: 1h 31m
Original Language: English
Website: -
Production Countries: Australia , United States of America
Production Companies: Village Roadshow Pictures , NPV Entertainment , Dark Castle Entertainment , Ghost Ship Films Pty. Ltd. , Warner Bros. Pictures
Sources:
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Keywords
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Synopsis
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Rebecca Weigold
Roger Barton
|
| Dialogue Editor |
Stephanie Brown
|
|
| First Assistant Editor |
Robert Malina
|
|
| Color Timer |
Jeff Smithwick
|
|
| Assistant Editor |
Elana Joy Livneh Lessem
|
|
| Camera | Director of Photography |
Gale Tattersall
|
| Underwater Camera |
Peter McDougall
|
|
| Still Photographer |
Vince Valitutti
|
|
| Camera Operator |
John Trapman
|
|
| Helicopter Camera |
Simon Werry
|
|
| First Assistant Camera |
Ricky Schamburg
|
|
| Grip |
Stuart Bell
|
|
| Key Grip |
David Nichols
|
|
| Best Boy Grip |
James Hopwood
|
|
| Second Assistant Camera |
Ben King
|
|
| Production | Producer |
Joel Silver
Robert Zemeckis
Gilbert Adler
|
| Executive Producer |
Bruce Berman
Steve Richards
|
|
| Casting |
Tom McSweeney
Fiona McMaster
Lora Kennedy
|
|
| Researcher |
Miriam Johnson
|
|
| Co-Producer |
Richard Mirisch
Susan Downey
|
|
| Unit Production Manager |
Stephen Jones
|
|
| Executive In Charge Of Post Production |
Daniel R. Chavez
|
|
| Location Manager |
Kent Sponagle
|
|
| Associate Producer |
Stephen Jones
|
|
| Production Accountant |
Alan J. Lam
|
|
| Production Coordinator |
Louisa Kors
|
|
| Production Manager |
Craig Forrest
|
|
| Executive In Charge Of Production |
Bill Draper
|
|
| Assistant Production Coordinator |
Melaini Lewis
|
|
| Assistant Accountant |
Prudence Williams
|
|
| ADR Voice Casting |
Jessica Gee-George
|
|
| Extras Casting |
Jade Tam
|
|
| Production Assistant |
Kristine Fraser
|
|
| Production Secretary |
Suzanne Evans-Booth
|
|
| Accountant |
Liam Banks
|
|
| Post Production Coordinator |
Adam Avery
|
|
| Writing | Screenplay |
Mark Hanlon
John Pogue
|
| Directing | Director |
Steve Beck
|
| Script Supervisor |
Jackie Sullivan
|
|
| First Assistant Director |
Colin Fletcher
|
|
| Third Assistant Director |
Miranda Colman
|
|
| Second Assistant Director |
Jennifer Leacey
|
|
| Second Unit Director |
Danny Baldwin
|
|
| Costume & Make-Up | Costume Design |
Margot Wilson
|
| Makeup Artist |
Anita Morgan
Nadine Wilkie
|
|
| Costume Supervisor |
Janice MacIsaac
Mel Dykes
|
|
| Set Costumer |
Samantha Walker
|
|
| Makeup Supervisor |
Nikki Gooley
|
|
| Prosthetic Supervisor |
Antony McMullen
|
|
| Special Effects Makeup Artist |
Christopher Allen Nelson
|
|
| Crew | Makeup Effects |
Jason Baird
Scott Patton
Steven Boyle
|
| Second Unit Cinematographer |
Ian 'Thistle' Thorburn
|
|
| Stunt Coordinator |
Danny Baldwin
|
|
| Property Master |
Jim Millett
|
|
| Visual Effects Editor |
Robert Malina
|
|
| Unit Publicist |
Fiona Searson
|
|
| Telecine Colorist |
Trish Cahill
|
|
| Executive Visual Effects Producer |
Daniel Harvey
|
|
| Armorer |
Jeff Gribble
|
|
| Driver |
Marc Sparky Rutherford
|
|
| Stunts |
Ric Anderson
Nick Lawson
|
|
| Carpenter |
Darrin Smith
|
|
| Additional Music |
Pablo Duchovny
|
|
| Digital Effects Supervisor |
Gerard Benjamin Pierre
|
|
| Special Effects Technician |
Patrick Carmiggelt
|
|
| Stunt Double |
Gulliver Page
|
|
| Dialogue Coach |
Bruce Shapiro
|
|
| Sound | Music Editor |
Tommy Lockett
|
| Supervising Sound Editor |
Dane A. Davis
Richard Adrian
|
|
| Foley |
John Roesch
|
|
| Sound Re-Recording Mixer |
Ken S. Polk
Gregg Rudloff
|
|
| Sound Editor |
Andrew Lackey
|
|
| Orchestrator |
Frank Bennett
|
|
| First Assistant Sound Editor |
Christopher Alba
|
|
| Boom Operator |
Rod Conder
|
|
| Original Music Composer |
John Frizzell
|
|
| Production Sound Mixer |
Paul 'Salty' Brincat
|
|
| Supervising ADR Editor |
Julia Evershade
|
|
| Conductor |
Nick Ingman
|
|
| Musician |
Mark Berrow
|
|
| Assistant Sound Editor |
Bill R. Dean
|
|
| Foley Artist |
Alyson Dee Moore
|
|
| Sound Assistant |
Nicole Miller
|
|
| ADR Mixer |
Troy Porter
|
|
| Foley Recordist |
Linda Lew
|
|
| Art | Assistant Art Director |
Jim Millett
Charles McGuinness
|
| Art Direction |
Richard Hobbs
|
|
| Set Designer |
Christian Huband
Claudine Clark
David Nimmo
Kate Lovejoy
|
|
| Art Department Coordinator |
Tim Lyall
|
|
| Production Design |
Graham 'Grace' Walker
|
|
| Construction Coordinator |
John Rann
|
|
| Set Dresser |
Jac Charlton
Steve Goldenberg
|
|
| Storyboard Artist |
Graeme Callander
|
|
| Set Decoration |
Beverley Dunn
|
|
| Visual Effects | Visual Effects Supervisor |
Dale Duguid
|
| Animation Supervisor |
Andy Cadzow
|
|
| Visual Effects Producer |
Naomi Mitchell
|
|
| Visual Effects Coordinator |
Keith Foston
|
|
| Visual Effects |
Matt Linder
|
|
| VFX Editor |
Brad Lindenmayer
|
|
| Digital Compositors |
Lindsay Adams
|
|
| 3D Artist |
Kimberley Liptrap
|
|
| Visual Effects Production Manager |
Kirsten Fazio
|
|
| Visual Effects Assistant Editor |
Cheryl Potter
|
|
| Special Effects Supervisor |
Brian Cox
|
|
| Lighting | Gaffer |
Shaun Conway
|
| Lighting Technician |
Zac Murphy
|
|
| Department | Role | Name |







