Green Book
(2018) Inspired by a True Friendship | Released
Ratings
8.2
8.2
78%
Financials
Revenue: $319,700,000
Budget: $23,000,000
Profit: + $296,700,000
Movie Details
Tag Line: Inspired by a True Friendship
Status: Released
Average Rating: 8
Release Date: Nov 16, 2018
Rating: 2018-10-04
Run Time: 2h 10m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Participant , DreamWorks Pictures , Cinetic Media , Innisfree Pictures , Amblin Partners , Mandate International
Genres
Keywords
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Synopsis
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Peter Farrelly
|
| First Assistant Director |
J.B. Rogers
|
|
| Second Assistant Director |
Paul B. Uddo
|
|
| Script Supervisor |
Nicole Garcea
|
|
| Second Unit Director |
Josh Klausner
|
|
| Second Second Assistant Director |
Gerson Paz
|
|
| Second Unit First Assistant Director |
Alan Breton
Andrew Shepherd
|
|
| Camera | Director of Photography |
Sean Porter
|
| "A" Camera Operator |
Grayson Austin
|
|
| Steadicam Operator |
Grayson Austin
|
|
| "B" Camera Operator |
Robert Foster
|
|
| First Assistant "A" Camera |
Zachary Sieffert
|
|
| First Assistant "B" Camera |
Charlie Nauman
|
|
| Second Assistant "A" Camera |
Dan McKee
|
|
| Second Assistant "B" Camera |
Larron Rome Julian
|
|
| Digital Imaging Technician |
Nathan Borck
|
|
| Key Grip |
Jimi Ryan
|
|
| Best Boy Grip |
Dan Wyssmann
|
|
| Still Photographer |
Patti Perret
|
|
| Second Unit Director of Photography |
Michael Merriman
|
|
| Camera Loader |
Taylor L. Perry
|
|
| Dolly Grip |
Richard T. Hoover
|
|
| Editing | Editor |
Patrick J. Don Vito
|
| Assistant Editor |
David S. Clark
Aleigh Lewis
|
|
| Writing | Writer |
Nick Vallelonga
Brian Hayes Currie
Peter Farrelly
|
| Production | Producer |
Jim Burke
Charles B. Wessler
Brian Hayes Currie
Peter Farrelly
Nick Vallelonga
|
| Executive Producer |
Steven Farneth
Jonathan King
Kwame Parker
John Sloss
Octavia Spencer
|
|
| Casting |
Rick Montgomery
|
|
| Unit Production Manager |
Alissa M. Kantrow
John H. Brister
|
|
| Extras Casting |
Brent Caballero
|
|
| Location Manager |
Leonard E. Reynolds III
|
|
| Assistant Location Manager |
Valerie Ryan
John A. Mmahat Jr.
|
|
| Production Coordinator |
Sam Horton
|
|
| Assistant Production Coordinator |
Scott Goldie
|
|
| Production Secretary |
Rashada Fortier
|
|
| Executive In Charge Of Production |
Robert Kessel
|
|
| Sound | Original Music Composer |
Kris Bowers
|
| Music Supervisor |
Tom Wolfe
Manish Raval
|
|
| Supervising Sound Editor |
Andrew DeCristofaro
|
|
| Sound Re-Recording Mixer |
Mark Paterson
Tony Lamberti
|
|
| Production Sound Mixer |
Richard Schexnayder
|
|
| Boom Operator |
Leonard Suwalski
|
|
| Utility Sound |
Jamey Osborne
|
|
| Dialogue Editor |
Laura Harris Atkinson
Shane Hayes
Kelly Oxford
|
|
| ADR Mixer |
Judah Getz
|
|
| Foley Mixer |
David Jobe
|
|
| Sound Editor |
Martin Lopez
Kelly Oxford
Michael Payne
|
|
| Foley Artist |
Dawn Fintor
Sarah Monat
Alicia Stevenson
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Sound Effects Editor |
Bruce Tanis
|
|
| ADR Supervisor |
Becky Sullivan
|
|
| Supervising Dialogue Editor |
Darren Sunny Warkentin
|
|
| Foley Editor |
Martin Lopez
|
|
| Art | Production Design |
Tim Galvin
|
| Art Direction |
Scott Plauche
|
|
| Set Decoration |
Selina van den Brink
|
|
| Assistant Art Director |
Spencer Davison
|
|
| Set Designer |
Nicole Reed LeFevre
|
|
| Property Master |
Jorin Ostroska
|
|
| Assistant Property Master |
David Warburton
|
|
| Leadman |
Michael Dares
|
|
| Set Decoration Buyer |
Jessica Taylor
|
|
| Graphic Designer |
Nicole LaBranche
|
|
| Storyboard Artist |
Paulo DeFreitas Jr.
|
|
| Construction Coordinator |
Daniel Coe
|
|
| Art Department Coordinator |
Aimee Huber
|
|
| Greensman |
Russ Doyle
|
|
| Set Dresser |
Claire Gryce
Severin Lagarde
|
|
| Costume & Make-Up | Costume Design |
Betsy Heimann
|
| Makeup Department Head |
Tarra D. Day
|
|
| Key Makeup Artist |
Emily Tatum
|
|
| Makeup Artist |
Darryl Lucas
|
|
| Hair Department Head |
Geordie Sheffer
|
|
| Key Hair Stylist |
Yolanda Mercadel
|
|
| Hairstylist |
Donna Spahn
|
|
| Costume Supervisor |
Dan Moore
|
|
| Key Costumer |
Patricia Gorman
|
|
| Crew | Stunt Coordinator |
Tierre Turner
Jonathan Arthur
|
| Stunt Double |
Jeff Brockton
|
|
| Stunts |
Ben Aycrigg
Tomar Boyd
Andre Thionville
Dawson Towery
Chris Carnel
Todd T Taylor
Joseph Singletary
Eddie Yansick
Stephen Walker
Ken Barefield
Kenny Bartram
Tony Donno
|
|
| Special Effects Coordinator |
Guy Clayton
|
|
| Unit Publicist |
Jeanmarie Murphy-Burke
|
|
| Transportation Coordinator |
Poland Perkins
|
|
| Studio Teacher |
Sherry Briscoe
|
|
| Dialogue Coach |
Denise Woods
|
|
| Lighting | Gaffer |
Scott R. Todd
|
| Best Boy Electric |
Russell Beard
|
|
| Electrician |
Cody Pollock
Jordan Whaley
Troy Felder
Richard Landry
|
|
| Rigging Gaffer |
Joshua Anderson
|
|
| Rigging Grip |
Eric DePoorter
Nick Nicolay
|
|
| Visual Effects | Visual Effects Supervisor |
Victor DiMichina
Josh Dagg
Kolby Kember
Chris Van Dyck
|
| Visual Effects Designer |
Brock Jolet
|
|
| Visual Effects Producer |
Ray McIntyre Jr.
|
|
| VFX Artist |
David Ridlen
|
|
| Department | Role | Name |
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