Ratings
Financials
Revenue: $16,675,000
Budget: $4,000,000
Profit: + $12,675,000
Movie Details
Tag Line: The past, the present and the future will all meet at the crossroads of hell!
Status: Released
Average Rating: 5
Release Date: Mar 8, 1996
Rating: 1996-04-12
Run Time: 1h 26m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Dimension Films , Miramax , Trans Atlantic Entertainment
Genres
Keywords
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Synopsis
Three generations of the same family deal with the consequences of unleashing the forces of hell.
Crew
Department | Role | Name |
---|---|---|
Art | Art Direction |
Bruce Robert Hill
Carol Lavoie
Jack Edjourian
Ken Larson
|
Production Design |
Ivo Cristante
|
|
Storyboard Artist |
Pete von Sholly
|
|
Set Designer |
Mark Poll
Carol Bentley
|
|
Construction Foreman |
John Bucklin
|
|
Construction Coordinator |
Roger Kelton
|
|
Set Decoration |
Tim Colohan
|
|
Sound | Sound Editor |
Scott G.G. Haller
Noah Blough
Hector C. Gika
Vic Radulich
Linda Folk
Mark R. La Pointe
David M. Cowan
|
Original Music Composer |
Daniel Licht
|
|
Additional Sound Re-Recording Mixer |
Robert L. Harman
|
|
Sound Re-Recording Mixer |
Patrick Cyccone Jr.
|
|
Foley Artist |
John Roesch
Hilda Hodges
|
|
Supervising Sound Editor |
Val Kuklowsky
Sandy Gendler
|
|
Music Editor |
David Bondelevitch
|
|
Foley Recordist |
Carolyn Tapp
|
|
Boom Operator |
Kenneth C. Mantlo
|
|
Foley Mixer |
Mary Jo Lang
|
|
Sound Mixer |
Ed White
|
|
Assistant Sound Editor |
Chris Winter
|
|
Scoring Mixer |
Larry Mah
|
|
ADR Recordist |
Dean St. John
|
|
ADR Mixer |
J.R. Westen
|
|
Crew | Special Effects Coordinator |
John Hartigan
|
Stunt Double |
Laura Albert
Joni Avery
|
|
Stunts |
Kurt Bryant
Brian Christensen
William Morts
Paul Beahm
|
|
Special Effects Technician |
Michael Del Genio
|
|
Camera | First Assistant Camera |
Steven R. Monroe
Michael Martino
|
Director of Photography |
Gerry Lively
|
|
Camera Operator |
Moshe Levin
|
|
Steadicam Operator |
Bob Gorelick
Kirk R. Gardner
|
|
Still Photographer |
Robert Zuckerman
|
|
Second Assistant Camera |
Jeffrey S. Lorenz
|
|
Dolly Grip |
Alex Klabukov
|
|
Key Grip |
Robert J. Studenny
|
|
Production | Executive Producer |
Clive Barker
Paul Rich
Casey Bennett
|
Producer |
Nancy Rae Stone
|
|
Unit Production Manager |
Nancy Rae Stone
David Witz
|
|
Production Supervisor |
Elliot Lewis Rosenblatt
M. Cevin Cathell
|
|
Casting Associate |
Andrea Stone Brokaw
Laurel Smith
|
|
Production Accountant |
Kim Wozniak
|
|
Writing | Characters |
Clive Barker
|
Writer |
Peter Atkins
|
|
Directing | Director |
Alan Smithee
Kevin Yagher
|
First Assistant Director |
K.C. Colwell
Christopher T. Gerrity
|
|
Second Assistant Director |
Gwyneth Horder-Payton
David Ticotin
|
|
Script Supervisor |
Paula Barrett-Barbier
|
|
Editing | Editor |
Jim Prior
Rod Dean
Randy Bricker
|
Associate Editor |
Peter McNulty
|
|
Color Timer |
Herb Hickey
|
|
Assistant Editor |
Pamela March
|
|
Negative Cutter |
Rick Downey
|
|
Costume & Make-Up | Makeup Effects Designer |
Gary J. Tunnicliffe
|
Costume Design |
Eileen Kennedy
Dayna Cussler
|
|
Makeup & Hair Assistant |
Douglas Noe
Gary J. Perticone
Dan Frey
|
|
Hair Supervisor |
Anne Hieronymus
|
|
Makeup Supervisor |
Anne Hieronymus
|
|
Costumer |
Suzanne Flores
|
|
Visual Effects | Additional Effects Development |
Bryan Moore
|
Lighting | Gaffer |
Vojislav Mikulic
|
Rigging Gaffer |
Carlo Papica
|
|
Department | Role | Name |
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