If Beale Street Could Talk
(2018) Trust Love All The Way | Released
Ratings
87%
6.9
6.8
94%
Financials
Revenue: $20,572,691
Budget: $12,000,000
Profit: + $8,572,691
Movie Details
Tag Line: Trust Love All The Way
Status: Released
Average Rating: 7
Release Date: Dec 14, 2018
Rating: 2018-10-11
Run Time: 2h 00m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Annapurna Pictures , Plan B Entertainment , PASTEL
Genres
Keywords
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Synopsis
After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Barry Jenkins
|
| First Assistant Director |
Mariela Comitini
|
|
| Second Assistant Director |
Soren Miltich
|
|
| Second Second Assistant Director |
Michael Armand Crupi
|
|
| Writing | Novel |
James Baldwin
|
| Screenplay |
Barry Jenkins
|
|
| Editing | Editor |
Joi McMillon
Nat Sanders
|
| Assistant Editor |
Daniel Morfesis
|
|
| Digital Intermediate Colorist |
Alex Bickel
|
|
| Digital Intermediate Producer |
Kyle Casey
|
|
| Camera | Director of Photography |
James Laxton
|
| "A" Camera Operator |
Michael Fuchs
|
|
| First Assistant "A" Camera |
Nicholas Huynh
|
|
| Second Assistant "A" Camera |
Jan Burgess
|
|
| "B" Camera Operator |
Malcolm A. Purnell
|
|
| First Assistant "B" Camera |
Michelle Crawford
|
|
| Second Assistant "B" Camera |
Iraima De Leon
|
|
| Digital Imaging Technician |
Tiffany Armour-Tejada
|
|
| Still Photographer |
Tatum Magnus
|
|
| Key Grip |
Brent Poleski
|
|
| Best Boy Grip |
Chris Keenan
|
|
| Dolly Grip |
Rashad Clinton
|
|
| Grip |
Elvis De Leon
Angelique Storer
|
|
| Sound | Original Music Composer |
Nicholas Britell
|
| Sound Designer |
Odin Benitez
|
|
| Supervising Sound Editor |
Onnalee Blank
|
|
| Sound Re-Recording Mixer |
Onnalee Blank
Mathew Waters
|
|
| Sound |
Timothy R. Boyce Jr.
|
|
| Sound Effects Editor |
Bryan Parker
|
|
| Music Supervisor |
Gabe Hilfer
|
|
| Production Sound Mixer |
Joe White
|
|
| Boom Operator |
Alfredo Viteri
|
|
| Utility Sound |
Timothy R. Boyce Jr.
|
|
| ADR Editor |
Daniel S. Irwin
|
|
| Dialogue Editor |
Paul Bercovitch
|
|
| Assistant Sound Editor |
Mark Coffey
|
|
| Foley Editor |
Jordan McClain
|
|
| Foley Mixer |
Geordy Sincavage
Michael S. Head
|
|
| Foley Artist |
Matt Salib
Tara Blume
|
|
| ADR Mixer |
Chris Navarro
|
|
| Music Editor |
John Finklea
Andrew Silver
|
|
| Music Coordinator |
Henry van Roden
|
|
| Production | Producer |
Megan Ellison
Barry Jenkins
Jeremy Kleiner
Dede Gardner
Adele Romanski
Sara Murphy
|
| Executive Producer |
Brad Pitt
Sarah Esberg
Jillian Longnecker
Mark Ceryak
Caroline Jaczko
Chelsea Barnard
Megan Ellison
|
|
| Line Producer |
Sean Garrett Fogel
|
|
| Casting |
Cindy Tolan
|
|
| Unit Production Manager |
Caroline Jaczko
|
|
| Production Accountant |
Shellie Gillespie
|
|
| Production Supervisor |
Andrea Pappas
|
|
| Casting Associate |
Anne Davison
|
|
| Casting Assistant |
Nicholas Petrovich
|
|
| Extras Casting |
Grant Wilfley
|
|
| Location Manager |
Samson Jacobson
|
|
| Assistant Location Manager |
Paul Contos
Chris Cloud
|
|
| Location Coordinator |
Lauren B. Taylor
|
|
| Location Assistant |
Fatimah Muhammad
|
|
| Payroll Accountant |
Jamie Coffey
|
|
| Production Coordinator |
Abby Emmett
|
|
| Assistant Production Coordinator |
Lisa Sever-Ferraro
|
|
| Production Secretary |
Nicole Machon
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Costume & Make-Up | Key Makeup Artist |
Paul Molnar
Regina de Lemos
Tracy Raffelson
Tatjana Dulovic
|
| Hair Department Head |
Kenneth Walker
|
|
| Makeup Department Head |
Doniella Davy
|
|
| Key Hair Stylist |
Moira Frazier
Nakoya Yancey
|
|
| Costume Design |
Caroline Eselin Shaefer
|
|
| Set Costumer |
Malik Summers
Kimberly Butler-Gilkeson
|
|
| Makeup Artist |
Kim Taylor
|
|
| Assistant Costume Designer |
Donna Berwick
|
|
| Wardrobe Supervisor |
Gregg Simmons
|
|
| Key Costumer |
Malik Summers
Eden Miller
|
|
| Costume Coordinator |
Brittany Gehoski
|
|
| Costume Assistant |
Edouard Fan
|
|
| Art | Art Direction |
Oliver Rivas Madera
Robert Pyzocha
|
| Production Design |
Mark Friedberg
|
|
| Set Decoration |
Kris Moran
|
|
| Assistant Art Director |
Erica Hohf
|
|
| Set Dresser |
Guy Kozak
Matt Amenta
Andrew Keck
Robert Mulzberg
Deneice O'Connor
Anthony Stallone
|
|
| Art Department Coordinator |
Melissa Miller
|
|
| Art Department Assistant |
George DuPont
Mattie Siegal
Michael Fails
Alison Diviney
|
|
| Leadman |
Peter Scheck
|
|
| Assistant Set Decoration |
Imogen Lee
|
|
| Lead Set Dresser |
Guy Kozak
|
|
| Property Master |
Matt Marks
|
|
| Assistant Property Master |
Mike Drury
Elizabeth Neveu
|
|
| Construction Coordinator |
John F. McHugh
|
|
| Title Designer |
Sebastian Pardo
|
|
| Crew | Thanks |
Miranda July
|
| Stunt Coordinator |
Jeremy Sample
Stephen A. Pope
|
|
| Transportation Co-Captain |
John Miale
|
|
| Post Production Supervisor |
David Kirchner
|
|
| Visual Effects | Visual Effects Supervisor |
Djuna Wahlrab
John Mangia
|
| VFX Artist |
Alyssa Koncelik-Diemer
Grant Anderson
Christian Lowe
Sebastian Romero
Matt Stroub
|
|
| Visual Effects Producer |
Renuka Ballal
|
|
| Lighting | Rigging Grip |
Bert Mayer
|
| Chief Lighting Technician |
Kiva Knight
|
|
| Gaffer |
Jason Velez
|
|
| Best Boy Electric |
Praveen Elankumaran
|
|
| Department | Role | Name |
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