Master and Commander: The Far Side of the World
(2003) The courage to do the impossible lies in the hearts of men. | Released
Ratings
81%
7.2
7.4
84%
Financials
Revenue: $212,000,000
Budget: $150,000,000
Profit: + $62,000,000
Movie Details
Tag Line: The courage to do the impossible lies in the hearts of men.
Status: Released
Average Rating: 7
Release Date: Nov 14, 2003
Rating: 2003-11-14
Run Time: 2h 18m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 20th Century Fox , Miramax , Universal Pictures , Samuel Goldwyn Films
Sources:
Genres
Keywords
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Compatibility : N/AShared : N/Akylie1320
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Compatibility : N/AShared : N/Aandresulibarrie
Compatibility : N/AShared : N/Acraig.olson
Compatibility : N/AShared : N/Aponsonbypat
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Where to watch Master and Commander: The Far Side of the World
Purchaseble on (Rent or Buy episodes, seasons or full series)
Apple TV
Amazon Video
Google Play Movies
YouTube
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Microsoft Store
AMC on Demand
Synopsis
After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Peter Weir
|
| Script Supervisor |
Wilma Garscadden-Gahret
Brenda Lopez
|
|
| Layout |
Dani Morrow
|
|
| First Assistant Director |
Alan B. Curtiss
|
|
| Second Assistant Director |
David M. Bernstein
|
|
| Second Second Assistant Director |
Steven F. Beaupre
|
|
| Second Unit Director |
David R. Ellis
|
|
| Assistant Director |
Michelene Mundo
|
|
| Writing | Screenplay |
Peter Weir
John Collee
|
| Novel |
Patrick O'Brian
|
|
| Production | Producer |
Duncan Henderson
Samuel Goldwyn Jr.
Peter Weir
|
| Executive Producer |
Alan B. Curtiss
|
|
| Accounting Clerk Assistant |
Matthew Humphreys
|
|
| Casting |
Fiona Weir
Mary Selway
|
|
| Location Manager |
Michael John Meehan
|
|
| Co-Producer |
Meyer Gottlieb
Todd Arnow
Bob Weinstein
|
|
| Unit Manager |
Rafael Cuervo
|
|
| Unit Production Manager |
Todd Arnow
|
|
| Casting Associate |
Nicole Hilliard-Forde
|
|
| Production Accountant |
Jen Hutchinson
|
|
| Production Coordinator |
Andy Foster
|
|
| Production Office Coordinator |
Derek Jan Vermaas
|
|
| Line Producer |
Bridget Bourke
|
|
| Researcher |
Brice Criswell
Mimi Munson
|
|
| ADR Voice Casting |
Louis Elman
|
|
| Local Casting |
Kazimierz Suwala
|
|
| Assistant Production Coordinator |
Daniel A. Mondschain
|
|
| Additional Casting |
Judith Bouley
|
|
| Post Production Coordinator |
Marisa Clayton
|
|
| Production Driver |
David Travis Grieb
|
|
| Extras Casting Assistant |
Claudio Bautista
|
|
| Production Assistant |
Jessica Teach
|
|
| Assistant Accountant |
Christopher Ciketic
|
|
| Production Consultant |
Anna Roth
|
|
| Production Executive |
Kimberly Cooper
|
|
| First Assistant Accountant |
Lucy Amador
|
|
| Second Assistant Accountant |
Tom Chung
|
|
| Editing | Editor |
Lee Smith
|
| Color Timer |
Jim Passon
|
|
| First Assistant Editor |
John Lee
|
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
Anna Josenhans
|
|
| Colorist |
Kent Pritchett
|
|
| Digital Intermediate Colorist |
Michael Eaves
|
|
| Digital Colorist |
Jack Lewars
|
|
| Digital Color Timer |
Tommy Hooper
|
|
| Digital Intermediate Producer |
Hilda Saffari
|
|
| Digital Intermediate Editor |
Martha Pike
|
|
| Camera | Director of Photography |
Russell Boyd
|
| Camera Operator |
Matthew J. Siegel
Jamie Barber
George Billinger III
Don Reddy
Martha Susana Ramos
Guillermo Rosas
|
|
| Steadicam Operator |
Harry K. Garvin
|
|
| First Assistant Camera |
Robert Hill
|
|
| Still Photographer |
Stephen Vaughan
|
|
| Aerial Director of Photography |
Phil Pastuhov
|
|
| Key Grip |
Chris Centrella
|
|
| Grip |
Raúl Cortés
|
|
| Dolly Grip |
Brian Rosso
James D. Wickman
|
|
| Second Assistant Camera |
Paul Gonsoulin
|
|
| Additional Second Assistant Camera |
Michaele Shapiro
|
|
| Focus Puller |
Andrew Stroud
|
|
| Best Boy Grip |
Michael James Fahey
|
|
| Assistant Camera |
Mike Cahoon
|
|
| Camera Trainee |
Sergio Berry
|
|
| Costume & Make-Up | Costume Design |
Wendy Stites
|
| Makeup Department Head |
Edouard F. Henriques
|
|
| Costume Supervisor |
Dawn Y. Line
|
|
| Seamstress |
Marcelina Barraza
|
|
| Set Dressing Supervisor |
Jennifer Lewicki
|
|
| Set Costumer |
Javier Arrieta
|
|
| Hairstylist |
Edith I. Amezcua
|
|
| Hair Department Head |
Yolanda Toussieng
|
|
| Makeup Artist |
Robin Beauchesne
Erin Henriques
|
|
| Ager/Dyer |
Julia Gombert
|
|
| Key Costumer |
Mary C. Lane
|
|
| Key Makeup Artist |
Kate Biscoe
|
|
| Tailor |
Rosa Isela Atondo
|
|
| Costumer |
Anthony Almaraz
|
|
| Crew | Stand In |
David Oliver
|
| Stunts |
Erik Rondell
Peter Epstein
Jeremy Fry
Mark Norby
Mickey Giacomazzi
Joey Anaya
Jan Bryant
Joey Box
Troy Gilbert
Chris O'Hara
Tad Griffith
Chris Palermo
Tom Morga
|
|
| Thanks |
Christopher Terrill
|
|
| Stunt Coordinator |
Doug Coleman
Daniel W. Barringer
|
|
| Special Effects Coordinator |
Daniel Sudick
|
|
| Transportation Coordinator |
Russell McEntyre
|
|
| Studio Teachers |
Maxine Arbarbara
Judith M. Brown
|
|
| Post-Production Manager |
Patrick Esposito
|
|
| Propmaker |
Bobby Mara
|
|
| Post Production Supervisor |
Jeffrey Harlacker
|
|
| Craft Service |
Orlando Chongo
|
|
| Digital Effects Supervisor |
David Ebner
|
|
| Set Medic |
Jeffrey D. Stevens
|
|
| Projection |
Larry Hoki
|
|
| Set Production Assistant |
Heather Anderson
|
|
| Post Production Assistant |
Sassica Francis-Bruce
|
|
| Quality Control Supervisor |
Timothy Michael Cairns
|
|
| Dialect Coach |
Judy Dickerson
|
|
| Driver |
Tom Gilhooley
|
|
| Loader |
Sal Alvarez
|
|
| Video Assist Operator |
Adam Barth
|
|
| Makeup Effects |
Gabriel De Cunto
|
|
| Transportation Captain |
Wayne Stone
|
|
| Visual Effects Editor |
Tom Barrett
Kosta Saric
|
|
| Sequence Supervisor |
Jay Cooper
|
|
| Executive Visual Effects Producer |
Blondel Aidoo
|
|
| Translator |
Quincy Perkins
|
|
| Armorer |
Steve Auvenshine
|
|
| Telecine Colorist |
Eric Putz
|
|
| Unit Publicist |
Sandy O'Neill
|
|
| Utility Stunts |
Mitch Toles
|
|
| Technical Supervisor |
Brian Gee
|
|
| Marine Coordinator |
Rick Hicks
|
|
| Pilot |
Ivor Shier
|
|
| Animal Wrangler |
Jesus Chavez
|
|
| Special Effects Assistant |
Martha Susana Ramos
|
|
| Stunt Double |
Stuart Clark
|
|
| Second Unit |
Joaquin Cervera
|
|
| Special Effects Technician |
Robert Alidon
|
|
| Art | Art Direction |
Héctor Romero
Bruce Crone
Mark W. Mansbridge
Marco Niro
|
| Leadman |
Christopher Neely
|
|
| Set Designer |
Carlos Benassini
Nick Navarro
Mark Hitchler
Manuel Martínez
William Hiney
|
|
| Set Decoration |
Robert Gould
|
|
| Art Department Coordinator |
Gerald Lehtola
|
|
| Construction Coordinator |
Gary Deaton
|
|
| Production Design |
William Sandell
|
|
| Construction Foreman |
James Arrigo
|
|
| Standby Painter |
Anthony Gaudio
|
|
| Assistant Art Director |
Kevin Ishioka
|
|
| Production Illustrator |
Daren Dochterman
|
|
| Set Dresser |
Giovanni Bianchini
|
|
| Assistant Property Master |
Richard F. Anderson
|
|
| Property Master |
Doug Harlocker
|
|
| Property Buyer |
Liza Rudolph
|
|
| Construction Buyer |
Gabriel Pérez
|
|
| Graphic Designer |
Jane Fitts
|
|
| Storyboard Artist |
David Russell
|
|
| Textile Artist |
Sandra O'Toole
|
|
| Sound | Sound Re-Recording Mixer |
Doug Hemphill
Paul Massey
|
| Boom Operator |
Jeffrey A. Humphreys
|
|
| Sound Designer |
Richard King
|
|
| Sound Effects Editor |
Michael W. Mitchell
Hamilton Sterling
|
|
| Original Music Composer |
Iva Davies
Richard Tognetti
Christopher Gordon
|
|
| First Assistant Sound Editor |
Linda Yeaney
|
|
| Dolby Consultant |
Andy Potvin
|
|
| Music Editor |
Simon Leadley
|
|
| Production Sound Mixer |
Art Rochester
|
|
| Foley |
Nancy Parker
|
|
| Musician |
Iva Davies
|
|
| Additional Sound Re-Recording Mixer |
James Bolt
|
|
| ADR Editor |
Laura Graham
Susan Dawes
|
|
| Supervising ADR Editor |
R.J. Kizer
John A. Larsen
|
|
| Assistant Sound Editor |
Andrew Bock
|
|
| Sound Recordist |
Tim Gomillion
|
|
| Scoring Mixer |
Robert Fernandez
|
|
| Conductor |
Christopher Gordon
|
|
| Foley Artist |
Gary A. Hecker
|
|
| Foley Supervisor |
Christopher Flick
|
|
| ADR Mixer |
Wendy Czajkowsky
|
|
| ADR Engineer |
Derek Casari
|
|
| ADR Recordist |
Robbie Ashhurst
|
|
| Dialogue Editor |
Hugo Weng
|
|
| Visual Effects | Visual Effects Producer |
Helen Elswit
Julia Frey
Stephanie Hornish
Jeff Werner
|
| Visual Effects Supervisor |
Stefen Fangmeier
Mitchell S. Drain
Pablo Helman
Nathan McGuinness
|
|
| I/O Supervisor |
Brian Cuscino
|
|
| 3D Supervisor |
Christopher Bonnstetter
|
|
| Visual Effects Coordinator |
Kimberly Adams
|
|
| Digital Compositors |
Kathleen Beeler
|
|
| Visual Effects Designer |
Robert Stromberg
|
|
| Matchmove Supervisor |
Talmage Watson
|
|
| CG Animator |
Yuichiro Yamashita
Matthew Hackett
|
|
| Lead Animator |
Michael Hemschoot
|
|
| Matte Painter |
Shannan Burkley
|
|
| Compositing Supervisor |
Jeff Doran
|
|
| Visual Effects Assistant Editor |
Paul Vega
|
|
| Visual Effects Production Assistant |
Jessica O'Keefe
|
|
| CG Artist |
Robert Bourgeault
|
|
| Rotoscoping Artist |
Daniel Becerra
|
|
| Lighting | Lighting Technician |
Derick Pritchard
|
| Rigging Gaffer |
Stephen Johnstone
|
|
| Gaffer |
David Lee
|
|
| Best Boy Electric |
Rick Maddux
|
|
| Electrician |
Willie E. Dawkins
|
|
| Rigging Grip |
Oscar Gomez
|
|
| Lighting Artist |
Michael Sean Foley
|
|
| Key Rigging Grip |
Jeff Kluttz
|
|
| Assistant Chief Lighting Technician |
Chris Culliton
|
|
| Department | Role | Name |
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