Mighty Aphrodite
(1995) Of all human weaknesses, obsession is the most dangerous, and the silliest! | Released
Ratings
59%
6.7
7.1
77%
Financials
Revenue: $6,700,000
Budget: $15,000,000
Profit: - $-8,300,000
Movie Details
Tag Line: Of all human weaknesses, obsession is the most dangerous, and the silliest!
Status: Released
Average Rating: 7
Release Date: Sep 13, 1995
Rating: 1995-09-13
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Miramax , Jean Doumanian Productions , Sweetland Films
Sources:
Genres
Keywords
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Synopsis
When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Woody Allen
|
| Sound | Original Music Composer |
Dick Hyman
|
| Assistant Sound Editor |
Dan Evans Farkas
|
|
| Apprentice Sound Editor |
Kimberly R. McCord-Wilson
|
|
| Foley Supervisor |
Stuart Levy
|
|
| Dolby Consultant |
Bradford L. Hohle
|
|
| Production Sound Mixer |
Gary Alper
|
|
| Supervising Sound Editor |
Robert Hein
|
|
| Sound Re-Recording Mixer |
Lee Dichter
|
|
| Boom Operator |
Micah Solomon
|
|
| Dialogue Editor |
Sylvia Menno
|
|
| Editing | Editor |
Susan E. Morse
|
| Assistant Editor |
William Kruzykowski
Kent Blocher
|
|
| Directing | Director |
Woody Allen
|
| First Assistant Director |
Thomas A. Reilly
|
|
| Second Assistant Director |
Richard Patrick
|
|
| Script Supervisor |
Kay Chapin
|
|
| Camera | Director of Photography |
Carlo Di Palma
|
| First Assistant Camera |
Michael Green
|
|
| Second Assistant Camera |
David E. Baron
|
|
| Camera Trainee |
Deborah Brozina
|
|
| Key Grip |
Robert Ward
|
|
| Best Boy Grip |
Ronald Burke
|
|
| Camera Operator |
Dick Mingalone
|
|
| Still Photographer |
Brian Hamill
|
|
| Art | Set Decoration |
Susan Bode Tyson
|
| Production Design |
Santo Loquasto
|
|
| Set Dresser |
Dave Weinman
|
|
| Property Master |
James Mazzola
|
|
| Construction Coordinator |
Ron Petagna
|
|
| Head Carpenter |
Frank Didio
|
|
| Standby Carpenter |
Wayne Moss
|
|
| Key Construction Grip |
Vincent Guarriello
|
|
| Location Scout |
Drew Dillard
Sam Hutchins
Marce Sterner
Mark Van Holstein
|
|
| Art Direction |
Tom Warren
|
|
| Art Department Coordinator |
Glenn Lloyd
|
|
| Costume & Make-Up | Costume Design |
Jeffrey Kurland
|
| Makeup Designer |
Fern Buchner
|
|
| Makeup Artist |
Rosemary Zurlo
|
|
| Hair Designer |
Romaine Greene
|
|
| Hairstylist |
Werner Sherer
|
|
| Assistant Costume Designer |
John Glaser
|
|
| Costume Assistant |
Virginia D. Patton
|
|
| Wardrobe Supervisor |
Melissa Stanton
Benjamin Wilson
|
|
| Crew | Choreographer |
Graciela Daniele
|
| Key Scenic Artist |
James Sorice
|
|
| Scenic Artist |
Ian Zdatny
|
|
| Cableman |
Tom Gould
|
|
| Projection |
Carl Turnquest
|
|
| Dialect Coach |
Julia Wilson Dickson
Lilene Mansell
|
|
| Transportation Captain |
Harold 'Whitey' McEvoy
Peter Tavis
|
|
| Craft Service |
Hernando Henao
|
|
| Production | Location Manager |
Dana Robin
|
| Assistant Production Coordinator |
Dori Golod
|
|
| Casting Assistant |
Patricia Kerrigan DiCerto
|
|
| Additional Casting |
Judie Fixler
Todd M. Thaler
|
|
| Location Assistant |
Erika Aronson
Ken Halsband
|
|
| Production Coordinator |
Scott Kordish
|
|
| Production Manager |
Helen Robin
|
|
| Co-Producer |
Helen Robin
|
|
| Co-Executive Producer |
Letty Aronson
Charles H. Joffe
Jack Rollins
|
|
| Executive Producer |
Jean Doumanian
J.E. Beaucaire
|
|
| Producer |
Robert Greenhut
|
|
| Associate Producer |
Thomas A. Reilly
|
|
| Casting |
Juliet Taylor
|
|
| Lighting | Best Boy Electric |
Jack Coffen
|
| Gaffer |
Michael Proscia Jr.
|
|
| Department | Role | Name |