Ratings
Financials
Revenue: $12,705,882
Budget: $0
Profit: + $12,705,882
Movie Details
Tag Line: She's Married to Him... He's Married to Her... and It's Sheer Bedlam from Morning 'till Night!
Status: Released
Average Rating: 7
Release Date: Dec 19, 1963
Rating: 1963-12-25
Run Time: 1h 43m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Arcola Pictures
Sources:
Genres
Keywords
People Rated This
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Synopsis
Three years into their loving marriage, with two infant daughters at home in Los Angeles, Nicholas Arden and Ellen Wagstaff Arden are on a plane that goes down in the South Pacific. Although most passengers manage to survive the incident, Ellen presumably perishes when swept off her lifeboat, her body never recovered. Fast forward five years. Nicholas, wanting to move on with his life, has Ellen declared legally dead. Part of that moving on includes getting remarried, this time to a young woman named Bianca Steele, who, for their honeymoon, he plans to take to the same Monterrey resort where he and Ellen spent their honeymoon. On that very same day, Ellen is dropped off in Los Angeles by the Navy, who rescued her from the South Pacific island where she was stranded for the past five years. She asks the Navy not to publicize her rescue nor notify Nicholas as she wants to do so herself.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Michael Gordon
|
| Assistant Director |
Ad Schaumer
|
|
| Script Supervisor |
Dolores Rubin
|
|
| Writing | Screenplay |
Hal Kanter
Jack Sher
|
| Story |
Bella Spewack
Leo McCarey
Sam Spewack
|
|
| Original Film Writer |
Bella Spewack
Sam Spewack
|
|
| Production | Producer |
Martin Melcher
Aaron Rosenberg
|
| Unit Production Manager |
Gaston Glass
|
|
| Sound | Original Music Composer |
Lionel Newman
|
| Songs |
Joe Lubin
Hal Kanter
Terry Melcher
|
|
| Orchestrator |
Arthur Morton
Warren Barker
|
|
| Sound |
Alfred Bruzlin
Elmer Raguse
|
|
| Sound Effects Editor |
Alfred Bruzlin
|
|
| Conductor |
Lionel Newman
|
|
| Camera | Director of Photography |
Daniel L. Fapp
|
| Grip |
Walter Fitchman
|
|
| Camera Operator |
James Knott
|
|
| Still Photographer |
James Mitchell
|
|
| Editing | Editor |
Robert L. Simpson
|
| Art | Art Direction |
Hilyard M. Brown
Jack Martin Smith
|
| Set Decoration |
Paul S. Fox
Walter M. Scott
|
|
| Props |
Glenn "Skippy" Delfino
|
|
| Costume & Make-Up | Costume Design |
Moss Mabry
|
| Hairstylist |
George Masters
|
|
| Makeup Artist |
Ben Nye
|
|
| Hair Supervisor |
Margaret Donovan
Barbara Lampson
|
|
| Wardrobe Master |
Marjorie Plecher
Mickey Sherrard
|
|
| Crew | Special Effects |
L.B. Abbott
Emil Kosa Jr.
|
| Stunt Double |
Loren Janes
|
|
| Dialogue Coach |
Carl Shain
|
|
| Lighting | Gaffer |
Jack Brown
|
| Department | Role | Name |







