Natasha
(2015) It Is the Opposite That Is Good for Us | Released
Ratings
76%
6.5
7.1
100%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: It Is the Opposite That Is Good for Us
Status: Released
Average Rating: 7
Release Date: Sep 24, 2015
Rating: 2015-09-24
Run Time: 1h 33m
Original Language: English
Website: -
Production Countries: Canada
Production Companies:
Sources:
Genres
Keywords
People Rated This
Where to watch Natasha
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Synopsis
Natasha takes place over the course of one summer. It is the story of Mark Berman, 16, the son of Russian-Jewish immigrants living in the suburbs north of Toronto. When his uncle enters into an arranged marriage with woman from Moscow, the woman arrives in Canada with her fourteen year-old daughter, Natasha. Mark, a slacker, is conscripted by his parents to take responsibility for the strange girl. He learns that, in Moscow, she’d led a troubled and promiscuous life. A secret and forbidden romance begins between the two of them that has bizarre and tragic consequences for everyone involved.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Ginger Martini
|
| Assistant Costume Designer |
Chelsea Oliver
|
|
| Key Hair Stylist |
Kelly Kavanagh
|
|
| Key Makeup Artist |
Kelly Kavanagh
|
|
| Assistant Makeup Artist |
Olga Kirnos
Elyse Marion
|
|
| Assistant Hairstylist |
Olga Kirnos
Elyse Marion
|
|
| Production | Producer |
Deborah Marks
Bill Marks
|
| Casting |
Marsha Chesley
|
|
| Co-Producer |
Julia Rosenberg
|
|
| Executive Producer |
Aeschylus Poulos
Daniel Ostroff
Hussain Amarshi
Jeff Sackman
|
|
| Production Manager |
Deborah Marks
|
|
| Production Supervisor |
Geoff Ewart
|
|
| Assistant Production Coordinator |
Paula Hamilton
|
|
| Production Accountant |
Stacey McKay
|
|
| Post Production Accountant |
Amanda MacDonald
|
|
| Background Casting Director |
Rita Bertucci
|
|
| Location Manager |
Stanley Lidon
Kyle O'Connor
|
|
| Assistant Location Manager |
Ron McKenzie
|
|
| Post Production Coordinator |
Brandon Tobia
|
|
| Art | Production Design |
Peter Cosco
|
| Property Master |
Joseph Kabbach
|
|
| Assistant Property Master |
Margaret Shain
|
|
| Set Decoration |
David Gruer
|
|
| Set Decoration Buyer |
Laura Keightley
|
|
| Set Dresser |
Daniel Cipilinsky
|
|
| Directing | Director |
David Bezmozgis
|
| Script Supervisor |
Jennifer Capraru
|
|
| First Assistant Director |
David Sparkes
|
|
| Second Assistant Director |
Kira McCord
|
|
| Third Assistant Director |
Fatima Palhetas
|
|
| Camera | Director of Photography |
Guy Godfree
|
| First Assistant "A" Camera |
Demetri Portelli
|
|
| Second Assistant "A" Camera |
Brian Cassar
|
|
| Second Assistant "B" Camera |
Tara Dixit
|
|
| Key Grip |
Todd N. Thompson
|
|
| Best Boy Grip |
Daniel M. Veldman
|
|
| Grip |
Devin Myler
|
|
| Still Photographer |
Christos Kalohoridis
Elly Dassas
|
|
| Editing | Editor |
Michelle Szemberg
|
| Assistant Editor |
Orlee Buium
|
|
| Digital Colorist |
Drake Conrad
|
|
| Online Editor |
David Hermiston
|
|
| Writing | Writer |
David Bezmozgis
|
| Story |
David Bezmozgis
|
|
| Crew | Stunt Coordinator |
Steve Lucescu
|
| Special Effects Coordinator |
Warren Appleby
|
|
| Transportation Coordinator |
Adam Crawford
|
|
| Driver |
Larry Greer
Steve May
|
|
| Sound | Sound Mixer |
David Ottier
|
| Boom Operator |
Dennis Alexander Nicholson
|
|
| Sound Re-Recording Mixer |
Matthew Chan
Graham Rogers
|
|
| Dialogue Editor |
Krystin Hunter
|
|
| Sound Effects Editor |
Steve Medeiros
Claire Dobson
|
|
| Foley Artist |
Tim O'Connell
Marilee Yorston
|
|
| Foley Recordist |
Dave Mercel
|
|
| Music Supervisor |
Marco DiFelice
Jane Heath
Jody Colero
Natasha Duprey
|
|
| Music Consultant |
Talia Newman
|
|
| Lighting | Gaffer |
Ryan Hernandez
|
| Best Boy Electric |
Samuel Lebel-Wong
|
|
| Visual Effects | Visual Effects |
Gary Couto
|
| Department | Role | Name |