Pyewacket
(2017) Be careful what you wish for. Someone might be listening. | Released
Ratings
5.9
5.8
75%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Be careful what you wish for. Someone might be listening.
Status: Released
Average Rating: 6
Release Date: Dec 8, 2017
Rating: 2018-03-23
Run Time: 1h 28m
Original Language: English
Website: Link
Production Countries: Canada
Production Companies: Cave Painting Pictures , JoBro Productions , Just Believe Productions , Entertainment One
Sources:
Genres
Keywords
People Rated This
Where to watch Pyewacket
Watch with a paid subscrition
AMC Plus Apple TV Channel
AMC+ Amazon Channel
AMC+
Shudder
Shudder Amazon Channel
Shudder Apple TV Channel
IFC Films Unlimited Apple TV Channel
Purchaseble on (Rent or Buy episodes, seasons or full series)
Apple TV
Amazon Video
Google Play Movies
YouTube
Fandango At Home
Synopsis
A frustrated, angry teenage girl awakens something in the woods when she naively performs an occult ritual to invoke a witch to kill her mother.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Special Effects Makeup Artist |
Alexandra Anger
|
| Key Hair Stylist |
Hannah Grace Rooney
|
|
| Costume Design |
Kendra Terpenning
|
|
| Makeup & Hair |
Kayla Kertesz
|
|
| Assistant Costume Designer |
Keith Bowser
|
|
| Makeup Department Head |
Alexandra Rotundo
|
|
| Directing | Director |
Adam MacDonald
|
| Second Assistant Director |
Francisco Bermudez
|
|
| First Assistant Director |
Aurèle Gaudet
|
|
| Third Assistant Director |
Patrick McFadden
|
|
| Script Supervisor |
Jenny Mac
|
|
| Production | Producer |
Jonathan Bronfman
Victoria Sanchez
|
| Executive Producer |
Anne-Claire Villeneuve
Patrick Roy
Joe Sisto
Jeff Sackman
|
|
| Line Producer |
Lori Fischburg
|
|
| Associate Producer |
Andrew Bronfman
|
|
| Casting |
Stephanie Gorin
|
|
| Production Manager |
Heather Young
|
|
| Production Coordinator |
Christine Sola
|
|
| Editing | Editor |
Maureen Grant
|
| Project Manager |
Brandon Tobia
|
|
| Sound | Original Music Composer |
Lee Malia
|
| Sound Re-Recording Mixer |
Christopher Guglick
Shaun Gratto
|
|
| Sound Effects Editor |
Claudia Pinto
|
|
| Music Supervisor |
Michael Perlmutter
|
|
| Foley Recordist |
Dave Mercel
|
|
| Dialogue Editor |
Faustine Pelipel
|
|
| Boom Operator |
Jonathon St. Clair
|
|
| Sound Mixer |
Paolo Di Teodoro
|
|
| ADR Recordist |
Rob Sinko
|
|
| Camera | Director of Photography |
Christian Bielz
|
| Camera Trainee |
Brandon Mayer
|
|
| First Assistant Camera |
Josh Macdonald
|
|
| Second Assistant Camera |
Charles Hutchings
|
|
| Key Grip |
Kyle Borgogelli
Wayne St-George
|
|
| Still Photographer |
Melissa Connors
|
|
| Art | Production Design |
Damian Zuch
|
| Set Decoration |
Stephanie Maione
Jasmin Bender
|
|
| Art Direction |
Tina Tsai
|
|
| Property Master |
Leanne Beck
|
|
| Writing | Writer |
Adam MacDonald
|
| Visual Effects | Visual Effects Supervisor |
Geoff D.E. Scott
Casey Walker
|
| Crew | Post Production Supervisor |
Michael B. Forsey
|
| Visual Effects Editor |
Isaac Heron
|
|
| Carpenter |
Ed Spender
Jesse Persian
|
|
| Stunt Double |
Dana Jones
Naomi Frenette
|
|
| Special Effects Coordinator |
Max MacDonald
|
|
| Stunt Coordinator |
Wayne Wells
|
|
| Lighting | Best Boy Electric |
Russell Berki
|
| Department | Role | Name |
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