RKO 281
(2000) What went on the screen was nothing compared to what went on behind the scenes. | Released
Ratings
6.4
7.1
92%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: What went on the screen was nothing compared to what went on behind the scenes.
Status: Released
Average Rating: 6
Release Date: Apr 7, 2000
Rating: 1999-11-20
Run Time: 1h 24m
Original Language: English
Website: -
Production Countries: United States of America , United Kingdom
Production Companies: Scott Free Productions , BBC Film , HBO Films , GBH
Sources:
Genres
Keywords
People Rated This
Where to watch RKO 281
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Synopsis
In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Benjamin Ross
|
| Script Supervisor |
Heather Storr
|
|
| Second Assistant Director |
Toby Ford
|
|
| Third Assistant Director |
Jo Schotting
|
|
| First Assistant Director |
David Daniels
|
|
| Production | Producer |
Su Armstrong
|
| Executive Producer |
Ridley Scott
Tony Scott
|
|
| Casting |
Lora Kennedy
Joyce Nettles
|
|
| Co-Executive Producer |
Diane Minter Lewis
Chris Zarpas
|
|
| Unit Production Manager |
Nigel Gostelow
|
|
| Sound | Original Music Composer |
John Altman
|
| Sound Recordist |
Clive Derbyshire
|
|
| Dialogue Editor |
Gordon Brown
|
|
| ADR Editor |
Jonathan Cronin
|
|
| Supervising Sound Editor |
Nick Adams
|
|
| Sound Effects Editor |
Paul Wrightson
|
|
| Sound Re-Recording Mixer |
Mike Dowson
Mark Taylor
|
|
| Foley Artist |
Diane Greaves
Michelle Greaves
|
|
| Camera | Director of Photography |
Mike Southon
|
| Still Photographer |
Stephen Morley
|
|
| Camera Operator |
Ian Jackson
|
|
| Key Grip |
Malcolm J. Sheehan
|
|
| Editing | Editor |
Alex Mackie
|
| Color Timer |
Michael Stainer
|
|
| Art | Production Design |
Maria Djurkovic
|
| Art Direction |
Lucinda Thomson
|
|
| Set Decoration |
Tatiana Macdonald
|
|
| Property Master |
Alan Bailey
|
|
| Property Buyer |
Judy Ducker
|
|
| Costume & Make-Up | Costume Supervisor |
Ali Goss
|
| Costume Designer |
Stewart Meachem
|
|
| Hair Department Head |
Roseann Samuel
|
|
| Makeup Department Head |
Roseann Samuel
|
|
| Visual Effects | Visual Effects Supervisor |
Steven Begg
|
| Writing | Screenplay |
John Logan
|
| Story Consultant |
Thomas Lennon
Richard Ben Cramer
Michael Epstein
|
|
| Crew | Stunt Coordinator |
Richard Hammatt
Lee Sheward
|
| Special Effects |
Stuart Murdoch
|
|
| Post Production Supervisor |
Stephen Barker
Tracey Gibbons
|
|
| Lighting | Gaffer |
Micky Brown
|
| Department | Role | Name |