Ratings
Financials
Revenue: $2,944,752
Budget: $6,000,000
Profit: - $-3,055,248
Movie Details
Tag Line: He'd do anything to get a great story.
Status: Released
Average Rating: 7
Release Date: Nov 14, 2003
Rating: 2003-11-14
Run Time: 1h 34m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Cruise/Wagner Productions , Baumgarten Merims Productions , Forest Park Pictures
Sources:
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Keywords
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Synopsis
The true story of fraudulent Washington, D.C. journalist Stephen Glass, who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at The New Republic for three years. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Paula Wagner
Tom Cruise
Michael Paseornek
Tom Ortenberg
|
| Producer |
Gaye Hirsch
Craig Baumgarten
Adam Merims
Tove Christensen
|
|
| Casting |
Cassandra Kulukundis
|
|
| Production Manager |
Jacky Lavoie
|
|
| Extras Casting |
Julie Breton
|
|
| Location Manager |
Bernard Rodrigue
|
|
| Assistant Location Manager |
Roch Chalifour
|
|
| Production Coordinator |
Paule Girardin
|
|
| Production Accountant |
Stacey McKay
|
|
| Post Production Accountant |
Emily Rice
|
|
| ADR Voice Casting |
Johnny Gidcomb
|
|
| Camera | Director of Photography |
Mandy Walker
|
| First Assistant Camera |
Nicolas Marion
|
|
| Second Assistant Camera |
Jean Kavanagh
|
|
| Camera Loader |
Marie-Pierre Gratton
|
|
| Steadicam Operator |
François Daignault
|
|
| First Assistant "B" Camera |
Christian Lemay
|
|
| Second Assistant "B" Camera |
Benoit Descary
|
|
| Still Photographer |
Jonathan Wenk
|
|
| Key Grip |
Robert B. Baylis
|
|
| Dolly Grip |
Alain Masse
|
|
| Additional Director of Photography |
Phedon Papamichael
|
|
| Writing | Writer |
Billy Ray
|
| Author |
Buzz Bissinger
|
|
| Directing | Director |
Billy Ray
|
| First Assistant Director |
Richard L. Fox
|
|
| Second Assistant Director |
Michelle Gold
|
|
| Second Second Assistant Director |
Roxanna Macedo
|
|
| Third Assistant Director |
Natalia Ortelli
|
|
| Script Supervisor |
Catherine Veaux-Logeat
|
|
| Art | Art Direction |
Pierre Perrault
|
| Set Decoration |
François Senécal
|
|
| Production Design |
François Séguin
|
|
| Art Department Coordinator |
Cecile Braemer
|
|
| Graphic Designer |
Carl Lessard
|
|
| Head Carpenter |
Michel Brochu
|
|
| Costume & Make-Up | Costume Design |
Renée April
|
| Assistant Costume Designer |
Martine Gagnon
|
|
| Wardrobe Coordinator |
Fabienne April
|
|
| Key Dresser |
Sophie Beasse
|
|
| Key Hairdresser |
Corald Giroux
|
|
| Hairdresser |
Gérard Royer
|
|
| Key Makeup Artist |
Francine Gagnon
|
|
| Makeup Artist |
Catherine Lahaye
|
|
| Editing | Editor |
Jeffrey Ford
|
| Associate Editor |
Craig Tanner
|
|
| Color Timer |
Matvey Shatz
|
|
| Sound | Original Music Composer |
Mychael Danna
|
| Production Sound Mixer |
Pierre Blain
|
|
| Boom Operator |
Catherine Bellazzi
|
|
| Music Supervisor |
Joel C. High
|
|
| Music Coordinator |
Stephanie Urcheck
|
|
| Music Editor |
Paul Intson
|
|
| Supervising Sound Editor |
David Bach
|
|
| Supervising Sound Effects Editor |
David Esparza
|
|
| Sound Re-Recording Mixer |
Elliot Tyson
Marshall Garlington
|
|
| Foley Mixer |
Shawn Kennelly
|
|
| Foley Artist |
Sean Rowe
|
|
| Foley Editor |
Dan Scolnik
|
|
| ADR Mixer |
Eric Thompson
|
|
| ADR Recordist |
Chris Navarro
|
|
| Crew | Stunt Coordinator |
David McKeown
|
| Stunt Double |
Jere Gillis
Yves Langlois
|
|
| Video Assist Operator |
Julie Garceau
|
|
| Post Production Supervisor |
Carl Pedregal
|
|
| Lighting | Gaffer |
John Lewin
|
| Best Boy Electric |
Jeff Scott
|
|
| Key Rigging Grip |
Claude Fortin
|
|
| Department | Role | Name |







