Space Jam
(1996) Get ready to jam. | Released
Ratings
59%
6.8
6.3
38%
Financials
Revenue: $250,200,000
Budget: $80,000,000
Profit: + $170,200,000
Movie Details
Tag Line: Get ready to jam.
Status: Released
Average Rating: 7
Release Date: Nov 15, 1996
Rating: 1996-11-10
Run Time: 1h 28m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Warner Bros. Family Entertainment , Ivan Reitman Productions
Genres
Keywords
People Rated This
Watch Space Jam
Synopsis
Due to the lack of visitors to one of the satellite amusement parks; Its owner decides to attract them in a certain way, which is to agree with the famous Looney Tunes cartoon characters to work with him. Indeed, he agrees with Bugs the rabbit to participate in a basketball match, but the matter turns into a dilemma when some alien villains resort to kidnapping the talent of the team’s players, and they are able to form a team that is difficult to defeat.. Bugs finds no other way but to kidnap the player Michael Jordan to play on his team against... These villains.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Joe Pytka
|
| First Assistant Director |
Austin McCann
|
|
| Script Supervisor |
Morgan
|
|
| Second Second Assistant Director |
Elizabeth Herbert
|
|
| Second Assistant Director |
Pamela Cederquist
|
|
| Writing | Writer |
Steve Rudnick
Timothy Harris
Herschel Weingrod
Leo Benvenuti
|
| Sound | Original Music Composer |
James Newton Howard
|
| Sound Re-Recording Mixer |
Gregg Rudloff
David E. Campbell
John T. Reitz
Gary Alexander
Jim Fitzpatrick
Gary C. Bourgeois
|
|
| Supervising Sound Editor |
Mark A. Mangini
|
|
| Production Sound Mixer |
James LaRue
Gene S. Cantamessa
|
|
| Music Editor |
Jim Weidman
|
|
| Boom Operator |
Raul A. Bruce
|
|
| Sound |
Roger Daniell
|
|
| Assistant Sound Editor |
Oscar Mitt
|
|
| Music Supervisor |
Kenneth Ross
|
|
| Sound Effects Editor |
Michael Geisler
|
|
| Orchestrator |
Jeff Atmajian
|
|
| Sound Editor |
Elliott Koretz
|
|
| Sound Recordist |
Mark Johnston
|
|
| Sound Designer |
Michael Geisler
|
|
| Music Coordinator |
Kenny Smoove Kornegay
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| ADR Editor |
Curt Schulkey
|
|
| Foley Artist |
Hilda Hodges
|
|
| Foley Mixer |
Marilyn Graf
|
|
| Assistant Music Supervisor |
Craig Kallman
|
|
| Music Consultant |
Art Ford
|
|
| Conductor |
Artie Kane
|
|
| Music Programmer |
Simon Franglen
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Visual Effects | Animation |
John Williamson
Stephan Franck
Michael Schlingmann
Scott T. Petersen
J.C. Wegman
Korey Coleman
Peter Western
|
| Visual Effects |
Edwin Shortess
Earl A. Hibbert
Chris Darroca
|
|
| VFX Artist |
John Dillon
|
|
| Lead Animator |
Roberto Casale
|
|
| Visual Development |
Chris Aguirre
|
|
| Visual Effects Coordinator |
Steve Dellerson
|
|
| Visual Effects Producer |
Aaron Dem
|
|
| Digital Compositors |
Jon Bowen
|
|
| 3D Coordinator |
Carole Cowley
|
|
| Visual Effects Supervisor |
Erik Dehkhoda
|
|
| Digital Effects Producer |
Alex Bicknell
|
|
| Animation Technical Director |
John Frederick Bryant
|
|
| Senior Visual Effects Supervisor |
John Scheele
|
|
| Animation Director |
Tony Cervone
|
|
| Character Designer |
Chris Aguirre
|
|
| Rotoscoping Artist |
Karen Klein
|
|
| CG Animator |
Eduardo Batres
|
|
| Visual Effects Production Assistant |
Chris Anderson
|
|
| Art | Art Direction |
Bill Perkins
|
| Production Design |
Geoffrey Kirkland
Fred Cline
|
|
| Set Decoration |
Jennifer Williams
|
|
| Property Master |
Sean Mannion
|
|
| Sculptor |
David Stoten
|
|
| Production Illustrator |
Sherman Labby
|
|
| Standby Painter |
Richard Puga
|
|
| Assistant Art Director |
Neal Wiser
|
|
| Set Designer |
Marco Rubeo
|
|
| Art Department Coordinator |
Ashley Burnham
|
|
| Greensman |
David Harris
|
|
| Painter |
Patrick Sekino
|
|
| Storyboard Artist |
Kurt Anderson
Skip Jones
|
|
| Assistant Property Master |
Julie Witherington
|
|
| Crew | Production Office Assistant |
Tanya Calderon
|
| Driver |
Manny Demello
|
|
| Technical Supervisor |
Fraser Maclean
|
|
| Transportation Coordinator |
Dick Johnson
|
|
| Unit Publicist |
Michael Battaglia
|
|
| Supervising Animator |
Neil Boyle
|
|
| Systems Administrators & Support |
Derick Tortorella
|
|
| Craft Service |
Dana I. Heckler
|
|
| Production Intern |
Patricia L. Adams
|
|
| Software Engineer |
Babak Forutanpour
|
|
| Digital Effects Supervisor |
Carlos Arguello
|
|
| Digital Producer |
Michael S. Pryor
|
|
| Stunt Coordinator |
Bob Bralver
|
|
| Utility Stunts |
Nathaniel Bellamy Jr.
Francine Morris
|
|
| Special Effects Coordinator |
Darrell Pritchett
|
|
| Transportation Co-Captain |
George Hrivnak
|
|
| Stunts |
Laura Albert
Barbara Anne Klein
|
|
| Visual Effects Editor |
Shawn Broes
|
|
| Sequence Supervisor |
Uli Meyer
|
|
| Special Effects Assistant |
Miae Ausbrooks
|
|
| Production | Casting |
Janet Hirshenson
Jane Jenkins
|
| Co-Producer |
Sheldon Kahn
Gordon A. Webb
Curtis Polk
|
|
| Producer |
Joe Medjuck
Daniel Goldberg
Ivan Reitman
|
|
| Line Producer |
Michael Lander
|
|
| Executive Producer |
Kenneth Ross
David Falk
|
|
| Unit Manager |
Richmond Horine
|
|
| Location Manager |
Ira S. Rosenstein
|
|
| Unit Production Manager |
Gordon A. Webb
|
|
| Production Coordinator |
Mercedes J. Sichon
|
|
| Production Manager |
Ian Cook
|
|
| Associate Producer |
Dennis Edwards
|
|
| Assistant Accountant |
Thomas Bianco
|
|
| Production Consultant |
Darrell L. Brown
|
|
| Assistant Location Manager |
George McDowell Agnew
|
|
| Assistant Production Coordinator |
Bernadette J. Gallardo
|
|
| Second Assistant Accountant |
Christopher Ciketic
|
|
| Casting Assistant |
Amy McIntyre Britt
|
|
| Head of Production |
Courtney Vanderslice
|
|
| Production Assistant |
Neal Wiser
|
|
| Production Secretary |
Sholanda Coleman
|
|
| Assistant Production Manager |
Lia Abbate
|
|
| Payroll Accountant |
Steven Butensky
|
|
| Casting Consultant |
Alan Berger
|
|
| Camera | Director of Photography |
Michael Chapman
|
| Still Photographer |
Bruce W. Talamon
|
|
| Steadicam Operator |
David Luckenbach
|
|
| First Assistant Camera |
Jamie Barber
|
|
| Camera Operator |
Frank Perl
|
|
| Grip |
Paul Wilkowsky
|
|
| Additional Photography |
Jon Mentzer
|
|
| Key Grip |
Bud Schindler
|
|
| Second Assistant Camera |
Mark 'Boylee' Boyle
|
|
| Best Boy Grip |
George W. Borthwick
|
|
| Editing | Editor |
Sheldon Kahn
|
| First Assistant Editor |
Christein M. Goldstein
Rich Dietl
|
|
| Supervising Film Editor |
Nancy Frazen
|
|
| Color Timer |
Terry Claborn
|
|
| Assistant Editor |
Jennifer Dolce
|
|
| Colorist |
Tom Rovak
|
|
| Negative Cutter |
Mo Henry
|
|
| Associate Editor |
John Currin
Richard L. McCullough
|
|
| Costume & Make-Up | Costume Design |
Marlene Stewart
|
| Assistant Costume Designer |
Lisa Lovaas
|
|
| Set Dressing Artist |
Glenn Forbes
|
|
| Makeup Artist |
Anita Gibson
|
|
| Costume Supervisor |
Christopher Lawrence
|
|
| Key Makeup Artist |
Cyndi Reece-Thorne
|
|
| Key Hair Stylist |
Larry Waggoner
|
|
| Costumer |
Yolanda Braddy
|
|
| Lighting | Electrician |
Daniel Windels
|
| Best Boy Electric |
Scott Fieldsteel
|
|
| Rigging Gaffer |
Glenn Corbett
|
|
| Chief Lighting Technician |
Jono Kouzouyan
|
|
| Assistant Chief Lighting Technician |
Greg Kittelson
|
|
| Department | Role | Name |
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