Star Trek II: The Wrath of Khan
(1982) At the end of the universe lies the beginning of vengeance. | Released
Ratings
71%
7.4
7.7
88%
Financials
Revenue: $95,800,000
Budget: $12,000,000
Profit: + $83,800,000
Movie Details
Tag Line: At the end of the universe lies the beginning of vengeance.
Status: Released
Average Rating: 7
Release Date: Jun 4, 1982
Rating: 1982-06-04
Run Time: 1h 52m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Paramount Pictures
Sources:
Genres
Keywords
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Where to watch Star Trek II: The Wrath of Khan
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Synopsis
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Gayne Rescher
|
| Still Photographer |
Bruce Birmelin
|
|
| First Assistant Camera |
Catherine E. Coulson
|
|
| Key Grip |
Gene Griffith
|
|
| Second Assistant Camera |
Tom Connole
|
|
| Dolly Grip |
Donald Whipple Jr.
|
|
| Camera Operator |
Craig Denault
|
|
| Editing | Editor |
William Paul Dornisch
|
| Assistant Editor |
Christopher Koefoed
John Haggar
Vicky Witt
|
|
| Sound | Additional Soundtrack |
John Newton
|
| Original Music Composer |
James Horner
|
|
| Supervising Sound Editor |
George Watters II
Cecelia Hall
|
|
| Sound Re-Recording Mixer |
Ray West
Noyan Cosarer
David J. Hudson
Mel Metcalfe
|
|
| Sound Mixer |
James R. Alexander
|
|
| Sound Recordist |
Mark Server
|
|
| Sound Effects Editor |
Teresa Eckton
Michael Hilkene
John Kline
Curt Schulkey
Jim Siracusa
|
|
| Orchestrator |
Jack Hayes
|
|
| Music Editor |
Bob Badami
|
|
| Production | Casting |
Mary V. Buck
|
| Producer |
Robert Sallin
|
|
| Unit Production Manager |
Austen Jewell
|
|
| Associate Producer |
William F. Phillips
|
|
| Executive Producer |
Harve Bennett
|
|
| Art | Art Direction |
Michael Minor
|
| Set Decoration |
Charles Graffeo
|
|
| Production Design |
Joseph R. Jennings
|
|
| Construction Coordinator |
Al DeGaetano
|
|
| Property Master |
Joe Longo
|
|
| Title Designer |
Don Kracke
|
|
| Set Designer |
Daniel Gluck
Daniel Maltese
|
|
| Assistant Property Master |
Charles C. Eguia Jr.
|
|
| Writing | Screenplay |
Jack B. Sowards
|
| Story |
Jack B. Sowards
Harve Bennett
|
|
| Original Series Creator |
Gene Roddenberry
|
|
| Directing | Director |
Nicholas Meyer
|
| First Assistant Director |
Douglas E. Wise
|
|
| Second Assistant Director |
Richard Espinoza
|
|
| Script Supervisor |
Mary Jane Ferguson
|
|
| Costume & Make-Up | Costume Design |
Robert Fletcher
|
| Makeup Artist |
James Lee McCoy
Werner Keppler
|
|
| Hairstylist |
Dione Taylor
|
|
| Wardrobe Supervisor |
James Linn
Agnes G. Henry
|
|
| Crew | Stunts |
Janet Brady
Allan Graf
John Escobar
George P. Wilbur
Tom Morga
Jim Burk
Anthony Cecere
Bill Couch Jr.
Diane Carter
Ernest Robinson
Jim Connors
Mike Washlake
Ann Chatterton
John Robotham
Gilbert B. Combs
Eddy Donno
Hubie Kerns Jr.
Steve Blalock
Fletcher Bryant
Chuck Hicks
Paula Moody
Tommy J. Huff
Beth Nufer
Gary Combs
Kym Washington Longino
Mary Peters
|
| Post Production Supervisor |
Ralph Winter
|
|
| Stunt Coordinator |
Bill Couch
|
|
| Transportation Coordinator |
Michael McDuffee
|
|
| Craft Service |
Terry Ahern
|
|
| Special Sound Effects |
Alan Howarth
|
|
| Special Effects |
Fred Brauer
Ed Ayer
Gary F. Bentley
Martin Becker
|
|
| Unit Publicist |
Eddie Egan
|
|
| Translator |
Marc Okrand
|
|
| Transportation Captain |
Rick Valencia
|
|
| Lighting | Gaffer |
Romolo Acquistapace
|
| Visual Effects | Special Effects Supervisor |
Bob Dawson
|
| Visual Effects Supervisor |
Jim Veilleux
Ken Ralston
|
|
| Department | Role | Name |
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