Stigmata
(1999) The messenger must be silenced. | Released
Ratings
28%
6.3
6.2
21%
Financials
Revenue: $50,041,732
Budget: $29,000,000
Profit: + $21,041,732
Movie Details
Tag Line: The messenger must be silenced.
Status: Released
Average Rating: 6
Release Date: Sep 2, 1999
Rating: 1999-09-10
Run Time: 1h 43m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: FGM Entertainment , Metro-Goldwyn-Mayer
Sources:
Genres
Keywords
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Synopsis
A young woman with no strong religious beliefs, Frankie Paige begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal requests that the Rev. Andrew Kiernan investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Michael J. Duthie
Michael R. Miller
|
| Production | Producer |
Frank Mancuso Jr.
|
| Casting |
Wendy Kurtzman
|
|
| Art Department Production Assistant |
Gregor Habsburg
|
|
| Camera | Director of Photography |
Jeffrey L. Kimball
|
| Second Unit Director of Photography |
Flemming Olsen
|
|
| Grip |
Andy Bertelson
Ralph Del Castillo
Rick Grover
|
|
| Camera Operator |
Michael St. Hilaire
|
|
| Second Assistant "B" Camera |
Dale White
|
|
| Second Assistant "A" Camera |
John O'Connor
|
|
| Camera Loader |
Michael Thomas
|
|
| Assistant Camera |
Stacy De La Motte
|
|
| Key Grip |
J. Michael Popovich
|
|
| Second Assistant Camera |
Francisco Pintore
|
|
| Steadicam Operator |
David Crone
|
|
| First Assistant "A" Camera |
Ken Nishino
|
|
| Dolly Grip |
Mark Meyers
|
|
| First Assistant "B" Camera |
Wally Sweeterman
|
|
| Still Photographer |
Richard Foreman Jr.
|
|
| Additional Photography |
Masato Chikusa
John Philpotts
|
|
| "B" Camera Operator |
David Crone
|
|
| "A" Camera Operator |
Michael St. Hilaire
|
|
| Directing | Director |
Rupert Wainwright
|
| Script Supervisor |
Jeanne Byrd
|
|
| First Assistant Director |
Miguel Lima
Benjamin Rosenberg
|
|
| Second Unit Director |
David Barrett
|
|
| Second Assistant Director |
Eric Fox Hays
|
|
| Writing | Screenplay |
Rick Ramage
Tom Lazarus
|
| Story |
Tom Lazarus
|
|
| Sound | Original Music Composer |
Elia Cmiral
Billy Corgan
|
| Foley Artist |
Alyson Dee Moore
John Roesch
Hilda Hodges
Rocco Olivo
|
|
| Sound Effects Editor |
George Simpson
Richard L. Anderson
Mike Chock
|
|
| ADR Mixer |
Robert Deschaine
Doc Kane
Bryan O. Watkins
Thomas J. O'Connell
Charleen Richards-Steeves
Greg Steele
Troy Porter
|
|
| ADR Recordist |
David Lucarelli
Rick Canelli
Michael Miller
|
|
| ADR Editor |
Avram D. Gold
Curt Schulkey
|
|
| Sound Re-Recording Mixer |
Scott Millan
Dennis S. Sands
Ezra Dweck
|
|
| Sound Editor |
Elliott Koretz
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Sound Engineer |
John Rotondi
|
|
| Foley Editor |
Donald Flick
|
|
| Foley Mixer |
Mary Jo Lang
|
|
| Boom Operator |
Jack M. Nietzsche Jr.
Mark Steinbeck
|
|
| Supervising Sound Editor |
Mark A. Mangini
|
|
| Art | Production Design |
Waldemar Kalinowski
|
| Art Direction |
Anthony R. Stabley
|
|
| Set Decoration |
Florence Fellman
Marco Niro
|
|
| Art Department Coordinator |
Monica Frommholz
|
|
| Set Dresser |
Paul Dowler
R.A. Tony Poland
Jeff Hay
Scott W. Leslie
Steven Light-Orr
René Marquéz
|
|
| Set Designer |
Maria Baker
Peter Davidson
Barry Lehrman
Theodore Sharps
|
|
| Assistant Property Master |
A. Charles Carnaggio
|
|
| Construction Coordinator |
Barry Kingston
|
|
| Leadman |
Brent Rice
|
|
| Set Decoration Buyer |
Jody Weisenfeld
Helen Kozora
|
|
| Assistant Art Director |
Douglas Cumming
|
|
| Storyboard Artist |
Collin Grant
|
|
| Property Master |
David Q. Quick
|
|
| Title Designer |
Diane Van Ussel
Christopher James Lopez
|
|
| Construction Foreman |
Charles Page
|
|
| Costume & Make-Up | Costume Supervisor |
Joyce Kogut
|
| Costume Design |
Louise Frogley
|
|
| Makeup Artist |
Raúl Sarmiento
Debbie Zoller
Michelle Bühler
|
|
| Hairstylist |
Barbara Lorenz
Michael Reitz
|
|
| Makeup Department Head |
Ve Neill
|
|
| Key Hair Stylist |
Ron Scott
|
|
| On Set Dresser |
Candi Guterres
|
|
| Key Makeup Artist |
James MacKinnon
Perri Sorel
|
|
| Crew | Compositor |
Rory Hinnen
Daniel Miller
Frank Maurer
Brian Adams
David Crawford
David Lauer
|
| Special Effects Coordinator |
Mark DiSarro
Al Di Sarro
|
|
| Digital Effects Supervisor |
Blaine Kennison
|
|
| Set Medic |
Dyanne C. Deuel
|
|
| Animal Wrangler |
Rocío Ortega
|
|
| Unit Publicist |
David Linck
|
|
| Video Assist Operator |
David Katz
|
|
| Special Effects Technician |
Tim Walkey
Thomas Rasada
|
|
| Cableman |
Matthew W. Tenggren
|
|
| Visual Effects Editor |
Peter S. Elliot
|
|
| Stunt Double |
Kira Reed Lorsch
Kelsee King-Devoreaux
|
|
| Stunts |
Cinda-Lin James
Tim Gilbert
Ronnie Rondell Jr.
Charlie Picerni
Rick Avery
Charlie Brewer
Joni Avery
David Barrett
Mickey Gilbert
Jared S. Eddo
Clarke Coleman
Steve Holladay
James M. Halty
Henry Kingi
Shawn Kautz
Randy McKenney
Manny Perry
Bobby Ore
Michael Rader
Steve Picerni
Pat Romano
Troy Robinson
Erik Rondell
Christopher J. Tuck
|
|
| Utility Stunts |
James Ryan
|
|
| Stunt Driver |
Joanna Shelmidine
|
|
| Visual Effects | Visual Effects Production Manager |
Mark Spatny
|
| Digital Compositor |
Tony Noel
Marc Scott
|
|
| Visual Effects Producer |
George Merkert
David McCullough
Joan Collins Carey
|
|
| Visual Effects Supervisor |
Jesus G. Duran
Tim McGovern
|
|
| Special Effects Supervisor |
Jesus G. Duran
|
|
| Lighting | Chief Lighting Technician |
Dan Delgado
|
| Electrician |
David H. Neale
|
|
| Department | Role | Name |