The Cider House Rules
(1999) A story about how far we must travel to find the place where we belong. | Released
Ratings
75%
7
7.4
71%
Financials
Revenue: $88,500,000
Budget: $24,000,000
Profit: + $64,500,000
Movie Details
Tag Line: A story about how far we must travel to find the place where we belong.
Status: Released
Average Rating: 7
Release Date: Dec 17, 1999
Rating: 2000-01-07
Run Time: 2h 06m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Miramax , Nina Saxon Film Design , FilmColony
Sources:
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Keywords
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Synopsis
Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Lasse Hallström
|
| Script Supervisor |
Jane Goldsmith
|
|
| First Assistant Director |
Stephen P. Dunn
Paul Byrne Prenderville
|
|
| Second Second Assistant Director |
Paul Byrne Prenderville
|
|
| Second Assistant Director |
Christina Stauffer
|
|
| Writing | Novel |
John Irving
|
| Screenplay |
John Irving
|
|
| Production | Producer |
Alan C. Blomquist
Leslie Holleran
Richard N. Gladstein
Lila Yacoub
|
| Executive Producer |
Bobby Cohen
Meryl Poster
Bob Weinstein
Harvey Weinstein
|
|
| Casting |
Kerry Barden
Billy Hopkins
Suzanne Smith Crowley
|
|
| Unit Production Manager |
Barbara A. Hall
|
|
| Production Supervisor |
Diana Zock
|
|
| Associate Producer |
Michele Platt
|
|
| Camera | Director of Photography |
Oliver Stapleton
|
| Editing | Editor |
Lisa Zeno Churgin
|
| Art | Production Design |
David Gropman
|
| Art Direction |
Karen Schulz Gropman
|
|
| Set Decoration |
Beth A. Rubino
|
|
| Art Department Coordinator |
Wylie Griffin
|
|
| Costume & Make-Up | Costume Design |
Renee Ehrlich Kalfus
|
| Makeup Artist |
Sharyn Cordice
Ellie Winslow
Deborah K. Larsen
Louie Zakarian
|
|
| Hairstylist |
Brenda McNally
Peggy Schierholz
Wayne Herndon
|
|
| Crew | Post Production Supervisor |
Katia Milani
|
| Special Effects Coordinator |
Ron Bolanowski
|
|
| Special Effects |
Robert Bolanowski
|
|
| Utility Stunts |
William Morts
Denney Pierce
|
|
| Stunt Coordinator |
Charles Croughwell
|
|
| Sound | Supervising ADR Editor |
Gina Alfano
|
| ADR Mixer |
David Boulton
Scott Jones
|
|
| Sound Re-Recording Mixer |
Bob Chefalas
Frank Morrone
Steve Pederson
Tom Perry
Dominick Tavella
Peter Waggoner
|
|
| Sound Effects Editor |
Richard P. Cirincione
Eytan Mirsky
|
|
| Supervising Dialogue Editor |
Laura Civiello
|
|
| Foley Mixer |
Joe Dohner
|
|
| Foley Editor |
Louis Bertini
Bruce Kitzmeyer
Jacob Ribicoff
|
|
| Production Sound Mixer |
Petur Hliddal
|
|
| Dialogue Editor |
Dan Korintus
Bitty O'Sullivan-Smith
Magdaline Volaitis
|
|
| ADR Coordinator |
Jasmine Kosovic
|
|
| ADR Editor |
Marissa Littlefield
Harry Peck Bolles
|
|
| Assistant Sound Editor |
Joshua Landis
|
|
| Sound Recordist |
Bob Olari
|
|
| ADR Recordist |
Alex Raspa
Ant Bohun
|
|
| Supervising Sound Editor |
Maurice Schell
|
|
| Foley Artist |
Brian Vancho
|
|
| Sound Mix Technician |
Phillip Fuller
|
|
| ADR Engineer |
Phil Hadaway
|
|
| Original Music Composer |
Rachel Portman
|
|
| Lighting | Lighting Technician |
Zachary K. Lazar
|
| Department | Role | Name |