The Deep End
(2001) How far would you go to protect your family? | Released
Ratings
78%
6.1
6.7
82%
Financials
Revenue: $10,031,529
Budget: $3,000,000
Profit: + $7,031,529
Movie Details
Tag Line: How far would you go to protect your family?
Status: Released
Average Rating: 6
Release Date: Jan 21, 2001
Rating: 2001-01-21
Run Time: 1h 41m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: i5 Films , Fox Searchlight Pictures
Sources:
Genres
Keywords
People Rated This
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Synopsis
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Scott McGehee
David Siegel
|
| Script Supervisor |
Rebecca Fulton
|
|
| Second Assistant Director |
Craig Borden
|
|
| Writing | Writer |
David Siegel
Scott McGehee
|
| Novel |
Elisabeth Sanxay Holding
|
|
| Art | Production Design |
Kelly McGehee
Christopher Tandon
|
| Set Decoration |
Nancy Wenz
|
|
| Assistant Art Director |
Christina Ann Wilson
|
|
| Property Master |
Ellen Freund
|
|
| Costume & Make-Up | Costume Design |
Sabrina Rosen
|
| Key Makeup Artist |
Raqueli Dahan
|
|
| Hairdresser |
Katrina Chevalier
|
|
| Editing | Editor |
Lauren Zuckerman
|
| Digital Colorist |
Mel Kangleon
|
|
| Production | Casting |
Mindy Marin
|
| Production Manager |
Beth DePatie
|
|
| Casting Associate |
Amanda Harding
|
|
| Camera | Director of Photography |
Giles Nuttgens
|
| Still Photographer |
Jim Sheldon
|
|
| Additional Photography |
Warren Feldman
|
|
| Second Assistant Camera |
Warren Feldman
|
|
| First Assistant Camera |
Paige Thomas
|
|
| Camera Operator |
Paige Thomas
|
|
| Key Grip |
Michael Pizzuto
|
|
| Dolly Grip |
Paul Meehan
|
|
| Second Unit Director of Photography |
Rob Sweeney
|
|
| Sound | Original Music Composer |
Peter Nashel
|
| Sound Mixer |
Robert Eber
|
|
| Supervising Sound Editor |
John Nutt
David Franklin Bergad
|
|
| Sound Effects Editor |
Piotr Filipowski
Aura Gilge
|
|
| Assistant Sound Editor |
Chris Gridley
|
|
| Foley Editor |
Patti Tauscher
|
|
| Foley Artist |
Margie O'Malley
Marnie Moore
|
|
| Foley Mixer |
Frank Rinella
|
|
| Foley Recordist |
Mike Anderson
|
|
| ADR Mixer |
Christina Tucker
|
|
| Sound Re-Recording Mixer |
David Parker
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| Music Editor |
Missy Cohen
|
|
| Crew | Dialect Coach |
Julie Adams
|
| Special Effects |
Lou Carlucci
|
|
| Studio Teacher |
Linda Stanley
|
|
| Stunt Coordinator |
Dale Gibson
Ben Jensen
|
|
| Utility Stunts |
Peter Epstein
Robert Jauregui
Ethan Jensen
|
|
| Pilot |
Robert 'Bobby Z' Zajonc
|
|
| Lighting | Gaffer |
Louis DiCesare
|
| Best Boy Electric |
Tim Durr
|
|
| Visual Effects | Visual Effects Supervisor |
Richard Chuang
|
| Visual Effects Producer |
Jason Heapy
|
|
| Digital Compositor |
Chris Trimble
|
|
| Department | Role | Name |