Ratings
Financials
Revenue: $12,008,642
Budget: $10,000,000
Profit: + $2,008,642
Movie Details
Tag Line: The only witness to the crime was not even there.
Status: Released
Average Rating: 6
Release Date: Mar 16, 2000
Rating: 2001-01-19
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Lakeshore Entertainment , Alphaville Films , Paramount Classics
Sources:
Genres
Keywords
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Synopsis
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
Crew
Department | Role | Name |
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Directing | Director |
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Sam Raimi
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Script Supervisor |
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Karen Golden
|
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Second Assistant Director |
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Bac DeLorme
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First Assistant Director |
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Eric Heffron
|
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Writing | Screenplay |
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Billy Bob Thornton
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Tom Epperson
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Production | Producer |
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James Jacks
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Gary Lucchesi
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Tom Rosenberg
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Richard S. Wright
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Grant Curtis
|
Casting |
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Deborah Aquila
|
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Executive Producer |
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Sean Daniel
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Gregory Goodman
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Ted Tannebaum
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Robert Tapert
|
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Location Manager |
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Gina Cascino
|
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Unit Production Manager |
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Gregory Goodman
|
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Production Supervisor |
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Mary Courtney
|
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Associate Producer |
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Grant Curtis
|
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Post Production Coordinator |
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Winnie Cheng
|
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Sound | Original Music Composer |
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Christopher Young
|
Dolby Consultant |
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Andy Potvin
|
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Foley |
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James Moriana
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Jeffrey Wilhoit
|
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Sound Effects Editor |
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Mark Allen
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Kerry Ann Carmean
|
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Sound Re-Recording Mixer |
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Brad Sherman
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Melissa Sherwood Hofmann
|
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First Assistant Sound Editor |
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Robert Batha
|
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Supervising Sound Editor |
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Kelly Cabral
|
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Music Editor |
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Tanya Noel Hill
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Chris Innis
|
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ADR Editor |
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Kelly Oxford
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Mark Choi
|
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Dialogue Editor |
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Kimaree Long
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Lauren Stephens
|
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Foley Editor |
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Valerie Davidson
|
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Boom Operator |
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C. Douglas Cameron
|
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Production Sound Mixer |
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Ed Novick
|
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Assistant Sound Editor |
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Paul Flinchbaugh
|
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Foley Mixer |
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Nerses Gezalyan
|
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Foley Recordist |
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Greg Zimmerman
|
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Camera | Director of Photography |
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Jamie Anderson
|
Camera Operator |
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Billy Clevenger
|
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Still Photographer |
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Melissa Moseley
|
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Second Unit Director of Photography |
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Monty Rowan
|
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Dolly Grip |
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William D. Wynn
|
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First Company Grip |
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David L. Merrill
|
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Editing | Editor |
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Arthur Coburn
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Bob Murawski
|
First Assistant Editor |
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Paul Hart
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Michael Rafferty
|
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Art | Set Decoration |
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Marthe Pineau
|
Production Design |
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Neil Spisak
|
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Art Department Coordinator |
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Erin Fite
|
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Assistant Art Director |
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C. Scott Baker
|
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Construction Coordinator |
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Jeffrey Schlatter
|
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Greensman |
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Gloria Ann 'Twinkle' Groover
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David Becton
|
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Leadman |
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Andy Krish
|
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Property Master |
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Martin Lasowitz
|
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Costume & Make-Up | Costume Design |
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Julie Weiss
|
Makeup Artist |
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Morag Ross
|
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Costume Supervisor |
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Hope Slepak
|
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Hair Designer |
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Emanuel Millar
|
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Crew | Special Effects Coordinator |
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Vern Hyde
|
Stunt Coordinator |
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Mark Stefanich
|
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Transportation Coordinator |
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Cindy Parker
|
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Dialect Coach |
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Carla Meyer
|
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Unit Publicist |
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Leigh Oblinger
|
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Post Production Supervisor |
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James McQuaide
|
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Stunts |
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Steven Ritzi
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Brandon Sebek
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James M. Churchman
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Christina Ritzi
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Chad Stahelski
|
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Visual Effects | Animation |
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Fumi Mashimo
|
Visual Effects Supervisor |
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Peter Donen
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Syd Dutton
|
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Lighting | Chief Lighting Technician |
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David Morton
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Department | Role | Name |