The Good, the Bad and the Ugly
(1966) For three men the Civil War wasn't hell. It was practice. | Released
Ratings
90%
8.5
8.9
97%
Financials
Revenue: $38,900,000
Budget: $1,200,000
Profit: + $37,700,000
Movie Details
Tag Line: For three men the Civil War wasn't hell. It was practice.
Status: Released
Average Rating: 9
Release Date: Dec 22, 1966
Rating: 1967-12-29
Run Time: 2h 41m
Original Language: Italian
Website: Link
Production Countries: United States of America , Italy , Spain , Germany
Production Companies: United Artists , PEA , Arturo González Producciones Cinematográficas , Constantin Film
Sources:
Genres
Keywords
People Rated This
howard.taylor.iii
Compatibility : N/AShared : N/Apatch stripes
Compatibility : N/AShared : N/Ajordan.beaudoin
Compatibility : N/AShared : N/Aryanb
Compatibility : N/AShared : N/Aeytsch
Compatibility : N/AShared : N/Amichael.torgeirsen
Compatibility : N/AShared : N/Akevin.higgins
Compatibility : N/AShared : N/Amay.agi
Compatibility : N/AShared : N/A
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Synopsis
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Sergio Leone
|
| Assistant Director |
Fabrizio Gianni
Giancarlo Santi
|
|
| Script Supervisor |
Serena Canevari
|
|
| Writing | Screenplay |
Luciano Vincenzoni
Sergio Leone
Agenore Incrocci
Furio Scarpelli
|
| Story |
Sergio Leone
Luciano Vincenzoni
|
|
| Dialogue |
Mickey Knox
|
|
| Production | Producer |
Alberto Grimaldi
|
| Production Manager |
José Antonio Pérez Giner
Gray Frederickson
Fernando Cinquini
|
|
| Production Supervisor |
Aldo Pomilia
|
|
| Production Assistant |
Federico Tofi
Carlo Bartolini
|
|
| Production Secretary |
Luigi Corbo
Antonio Palombi
|
|
| Camera | Director of Photography |
Tonino Delli Colli
|
| Camera Operator |
Franco Di Giacomo
|
|
| Still Photographer |
Angelo Novi
|
|
| First Assistant Camera |
Sergio Salvati
|
|
| Grip |
Domenico Parrello
|
|
| Sound | Original Music Composer |
Ennio Morricone
|
| Music Director |
Bruno Nicolai
|
|
| Musician |
Edda Dell'Orso
Italo Cammarota
Franco Cosacchi
Nicola Samale
Enzo Gioieni
Gianna Spagnolo
E. Wolf Ferrari
Nino Dei
Michele Lacerenza
Alessandro Alessandroni
Francesco Catania
Franco De Gemini
John O'Neill
Bruno Battisti D'Amario
Vincenzo Restuccia
Cantori Moderni Di Alessandroni
|
|
| Foley Artist |
Aldo Ciorba
|
|
| Sound Mixer |
Fausto Ancillai
|
|
| Sound Engineer |
Vittorio De Sisti
Elio Pacella
|
|
| Music Arranger |
Alessandro Alessandroni
|
|
| Editing | Editor |
Eugenio Alabiso
Nino Baragli
|
| Colorist |
Nazzareno Neri
|
|
| Costume & Make-Up | Costume Design |
Carlo Simi
|
| Makeup Artist |
Rino Carboni
|
|
| Hairdresser |
Rino Todero
|
|
| Art | Assistant Art Director |
Carlo Leva
|
| Production Design |
Carlo Simi
|
|
| Title Designer |
Igino Lardani
|
|
| Crew | Special Effects |
Eros Bacciucchi
Giovanni Corridori
Antonio Baquero
|
| Stunts |
Román Ariznavarreta
Benito Stefanelli
John Landis
Fabio Testi
Luigi Ciavarro
Romano Puppo
Valentino Pelizzi
|
|
| Additional Dialogue |
Sergio Donati
|
|
| Stunt Coordinator |
Benito Stefanelli
|
|
| Department | Role | Name |