Ratings
Financials
Revenue: $75,505,856
Budget: $40,000,000
Profit: + $35,505,856
Movie Details
Tag Line: An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war.
Status: Released
Average Rating: 7
Release Date: Aug 26, 1992
Rating: 1992-09-25
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Morgan Creek Entertainment
Sources:
Genres
Keywords
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Synopsis
In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Michael Mann
|
| First Assistant Director |
Michael Waxman
|
|
| Second Assistant Director |
Daniel M. Stillman
Cyndie Williams Young
|
|
| Script Supervisor |
Alan Greedy
|
|
| Second Second Assistant Director |
Carl Goldstein
Susan E. Fiore
|
|
| Second Unit Director |
Mickey Gilbert
Gusmano Cesaretti
|
|
| Production | Producer |
Michael Mann
Hunt Lowry
|
| Executive Producer |
James G. Robinson
|
|
| Production Assistant |
Noel T. Manning II
John Kerr
|
|
| Unit Production Manager |
Ned Dowd
Ellen Rauch
|
|
| Location Assistant |
Karen Snow
Ruth Fletcher
Craig A. McCraw
Mark A. Dixon
|
|
| Production Accountant |
Jennifer Zolten Freed
|
|
| Location Manager |
George Bosley
Michael Bigham
|
|
| Assistant Accountant |
Mark J. Levenstein
|
|
| Casting Assistant |
Theresa Phillips
Bridget Pickering
Moshe Bardach
Jeff Block
Bernadette 'B.C.' Echohawk
Nano Segler
|
|
| Key Set Production Assistant |
Eddie Fickett
|
|
| Assistant Production Coordinator |
Lee Nesbitt
Karen Turner
|
|
| Post Production Accountant |
Doris Hellmann
|
|
| Second Assistant Accountant |
Caroline Korney
|
|
| Casting |
Susie Figgis
Bonnie Timmermann
|
|
| Production Coordinator |
Judi Rosner
Sondra Dee Boyachek
Mary Lou Devlin
|
|
| Researcher |
Julia Kobrinsky
|
|
| Associate Producer |
Bonnie Arnold
|
|
| Production Manager |
Whitney Green
|
|
| Supervising Producer |
Ned Dowd
|
|
| Location Casting |
Shirley Fulton Crumley
|
|
| Writing | Novel |
James Fenimore Cooper
|
| Screenplay |
Michael Mann
Christopher Crowe
Philip Dunne
|
|
| Storyboard |
Timothy Braniff
Jeff Balsmeyer
|
|
| Adaptation |
John L. Balderston
Daniel Moore
Paul Perez
|
|
| Editing | Editor |
Arthur Schmidt
Dov Hoenig
|
| Color Timer |
Phil Hetos
|
|
| Assistant Editor |
Mark L. Levine
Stephen L. Meek
Gordon Antell
Matthew Booth
Cynthia Kimoto
Eric O. Schusterman
Caroline Ross
Jeremiah O'Driscoll
|
|
| Additional Editor |
Wayne Wahrman
Jere Huggins
|
|
| First Assistant Editor |
Ron South
Carin-Anne Strohmaier
|
|
| Negative Cutter |
Gary Burritt
|
|
| Camera | Director of Photography |
Dante Spinotti
|
| Second Assistant Camera |
David Galbraith
David Brink
Christopher M. Fisher
|
|
| First Assistant Camera |
David Sanderson
Fred L. McLane
Gary Jay
|
|
| Additional Camera |
David M. Lang
Timothy Sheffer
Duane Manwiller
|
|
| Grip |
Thomas Smaling
Eric Bartsch
Randy Halpern
Daniel R. Haizlip
Ryan Bartsch
Michael Bonsignore
Dwayne Hatchell
Robert Parrish
Logan R. Berkshire
David Ray Robinson
Robert Hoelen
Rufus Granger Jr.
|
|
| Key Grip |
W.C. 'Chunky' Huse
Tom May
|
|
| Dolly Grip |
Gerrit Garretsen
|
|
| Camera Intern |
Porter Berry
|
|
| Best Boy Grip |
Monty Bass
|
|
| Second Unit Director of Photography |
Jerry G. Callaway
|
|
| Steadicam Operator |
David Knox
Robert Ulland
Kyle Rudolph
|
|
| Camera Operator |
Don Reddy
Michael McGowan
|
|
| Additional Photography |
Douglas Milsome
|
|
| Still Photographer |
Frank Connor
|
|
| Sound | Assistant Sound Editor |
John Rice
Judson Leach
Karen Baker Landers
Lisa Miller
|
| Additional Sound Re-Recording Mixer |
Kim Waugh
Rudy Pi
Wylie Stateman
|
|
| Foley Artist |
Dan O'Connell
Alicia Stevenson
Hilda Hodges
Kevin Bartnof
|
|
| Sound Re-Recording Mixer |
Mark Smith
Paul Massey
Doug Hemphill
Chris Jenkins
|
|
| Foley Recordist |
Nerses Gezalyan
Marilyn Graf
|
|
| Music Editor |
Jim Weidman
Kathy Durning
Michael T. Ryan
David Olson
|
|
| Foley Mixer |
Mary Jo Lang
Greg Orloff
|
|
| Conductor |
Daniel Allan Carlin
Randy Edelman
|
|
| Music Supervisor |
Daniel Allan Carlin
|
|
| Scoring Mixer |
Elton Ahi
Dennis Sands
John Richards
John Whynot
Mark Smith
|
|
| Orchestrator |
Jack Smalley
Brad Dechter
Guy Dagul
Greig McRitchie
Bobby Muzingo
|
|
| Sound Mixer |
Simon Kaye
|
|
| Boom Operator |
Albert Aquino
Scott Warren
Jack Dalton
|
|
| Sound Effects |
Larry Kemp
|
|
| Dialogue Editor |
Dan M. Rich
Chris Hogan
Randy Kelley
Richard Dwan Jr.
|
|
| Sound Supervisor |
Lon Bender
|
|
| Sound Editor |
Per Hallberg
David Baldwin
Asher Yates
Willy Allen
Dan Hegeman
Scott Martin Gershin
Glenn T. Morgan
|
|
| Sound Designer |
Lon Bender
|
|
| Original Music Composer |
Randy Edelman
Trevor Jones
|
|
| Sound Effects Editor |
Dino DiMuro
Christopher Assells
|
|
| ADR Editor |
Bill Voigtlander
Laura Graham
Mary Andrews
Linda Whittlesey
|
|
| ADR Supervisor |
Gregg Baxter
|
|
| Crew | Stunts |
Billy D. Lucas
Juddson Keith Linn
Simone Boisseree
Paul Beahm
Jamie Jo Medearis
Alvin William 'Dutch' Lunak
Clint Lilley
Lance Gilbert
Dean Mumford
Danny Mabry
David Fletcher
John Copeman
Richard Duran
Don Ruffin
Lonnie R. Smith Jr.
Ric Roman Waugh
Debbie Lynn Ross
Mario Roberts
Tim Trella
Mike H. McGaughy
Bernie Pock
Billy Joe Fredericks
Troy Gilbert
Tim Gilbert
Scott Waugh
Dave Lowry
Yves Langlois
Stanton Barrett
Stan Barrett
|
| Video Assist Operator |
Kevin Boyd
|
|
| Special Effects |
Roger Hansen
Richard Scioli
Howard "Peppy" Richardson
Scott R. Fisher
Bruce Minkus
Jay King
Terry W. King
|
|
| Armorer |
Vern Crofoot
|
|
| Technical Advisor |
David Webster
Dale Dye
|
|
| Unit Publicist |
Peter Haas
|
|
| Post Production Supervisor |
Judith Blume
|
|
| Additional Music |
Daniel Lanois
|
|
| Special Effects Coordinator |
Thomas L. Fisher
Henry Millar
|
|
| Stunt Coordinator |
Mickey Gilbert
|
|
| Second Unit Cinematographer |
Jerry G. Callaway
|
|
| Driver |
Kellie Macy
Cody Frost
|
|
| Military Consultant |
Dale Dye
|
|
| Art | Set Designer |
Masako Masuda
Karl J. Martin
|
| Leadman |
Victor J. Zolfo
|
|
| Property Master |
Peter Gelfman
Mickey Pugh
Ron Downing
|
|
| Assistant Set Decoration |
Amy Wells
|
|
| Set Dresser |
Mark Ricker
John Bromell
William F. Craine
Jennifer C. Debell
|
|
| Construction Foreman |
Chan Mentzer
|
|
| Lead Set Dresser |
J. Luther Jones III
|
|
| Assistant Property Master |
John Field Pankow
Ray Giron
Jerry Blohm
|
|
| Construction Coordinator |
Johnny Lattanzio
Anthony Lattanzio
|
|
| Assistant Art Director |
Dennis Bradford
Erik Olson
Patricia Woodbridge
|
|
| Set Decoration |
Jim Erickson
James V. Kent
|
|
| Production Design |
Wolf Kroeger
|
|
| Art Direction |
Richard Holland
Robert Guerra
|
|
| Visual Effects | Visual Development |
Lee Teter
Gusmano Cesaretti
|
| Costume & Make-Up | Hairdresser |
Vera Mitchell
Roy Bryson
|
| Makeup Artist |
Jane Royle
Joan Shay
John R. Bayless
Rita Parillo
Jeff Goodwin
Sandra S. Orsolyak
|
|
| Key Makeup Artist |
Peter Robb-King
|
|
| Hairstylist |
Caroline Clements
Verne Caruso
Pamela Priest
Baker "Buzz" Smith Jr.
Deborah Ball
Betty Lou Skinner
Gail Hensley
Judith H. Bickerton
|
|
| Costume Supervisor |
Michael Butler
Jennifer Butler
|
|
| Wardrobe Assistant |
Tina Hightower
|
|
| Costume Design |
Richard La Motte
Elsa Zamparelli
|
|
| Hair Assistant |
Lynn Gardner
Mary Everett
|
|
| Set Costumer |
Julie Glick
Richard Schoen
|
|
| Assistant Hairstylist |
Melissa Yonkey
|
|
| Lighting | Gaffer |
Danny Eccleston
|
| Best Boy Electric |
Steve Spallone
|
|
| Department | Role | Name |







