Ratings
Financials
Revenue: $19,200,000
Budget: $30,000,000
Profit: - $-10,800,000
Movie Details
Tag Line: Kill or be replaced.
Status: Released
Average Rating: 6
Release Date: Feb 6, 1998
Rating: 1998-02-06
Run Time: 1h 27m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Columbia Pictures , Brillstein-Grey Entertainment , WCG Entertainment Productions
Sources:
Genres
Keywords
People Rated This
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Synopsis
Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Brad Grey
Bernie Brillstein
|
| Unit Production Manager |
James Dyer
|
|
| Executive Producer |
John Woo
Terence Chang
Matthew Baer
Christopher Godsick
|
|
| Co-Producer |
Michael McDonnell
|
|
| Casting |
Wendy Kurtzman
|
|
| Production Coordinator |
Kris Fullan Martinez
|
|
| Camera | Director of Photography |
Peter Lyons Collister
|
| Second Unit Director of Photography |
Lloyd Ahern II
|
|
| Aerial Director of Photography |
John Trapman
|
|
| First Assistant Camera |
Adam Richard Sklena
Peter Mercurio
|
|
| Dolly Grip |
Thomas J. Ruffner
|
|
| Still Photographer |
Frank Masi
|
|
| Assistant Camera |
Darrin DeLoach
|
|
| Camera Operator |
Guy Norman Bee
|
|
| Grip |
Steve Alessi
|
|
| Key Grip |
Stuart Abramson
|
|
| Writing | Screenplay |
Ken Sanzel
|
| Directing | Director |
Antoine Fuqua
|
| Second Second Assistant Director |
Maria Battle Campbell
|
|
| Second Unit First Assistant Director |
Christopher T. Gerrity
|
|
| Second Unit Director |
Allan Graf
|
|
| Second Assistant Director |
Jeff Okabayashi
|
|
| First Assistant Director |
Jeffrey Wetzel
|
|
| Script Supervisor |
Carline Davis-Dyer
|
|
| Editing | Editor |
Jay Cassidy
|
| Color Timer |
Terry Claborn
|
|
| Assistant Editor |
Richard Conkling
Andrew Loschin
|
|
| First Assistant Editor |
Peggy Davis
|
|
| Negative Cutter |
Mo Henry
|
|
| Sound | Original Music Composer |
Harry Gregson-Williams
|
| Sound Editor |
Christopher Assells
Dan Hegeman
Scott Wolf
|
|
| Supervising Sound Editor |
Karen Baker Landers
Per Hallberg
|
|
| Sound Re-Recording Mixer |
Doug Hemphill
Paul Massey
|
|
| Sound Designer |
Peter Michael Sullivan
|
|
| Production Sound Mixer |
Douglas B. Arnold
|
|
| Foley Editor |
Bob Beher
Jennifer Mann
Mark Gordon
|
|
| Boom Operator |
Steve Birkett
|
|
| Sound Assistant |
Todd Egan
Drake Jenevein
Philip D. Morrill
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Foley Artist |
Gary A. Hecker
Jeffrey Wilhoit
|
|
| Sound Recordist |
Steve Jablonsky
Dennis Johnson
Matt Patterson
Gregg Silk
|
|
| Foley Supervisor |
Craig S. Jaeger
|
|
| Dialogue Editor |
Constance A. Kazmer
Mark R. La Pointe
Lauren Stephens
|
|
| ADR Editor |
Dean G. Manly
|
|
| ADR Supervisor |
Joseph A. Mayer
|
|
| Scoring Mixer |
Alan Meyerson
|
|
| Music Supervisor |
Ralph Sall
|
|
| Music Editor |
Richard Whitfield
|
|
| Crew | Choreographer |
John Woo
|
| Thanks |
Richard Francis-Bruce
Debra Hill
|
|
| Scenic Artist |
Lynn A. Johanson
|
|
| Special Effects |
Joe D. Ramsey
|
|
| Compositor |
Clint Colver
|
|
| Stunts |
Alisa Christensen
Mark De Alessandro
Donna Evans
Brian Imada
Jeff Imada
Randall Huber
Tanner Gill
Jill Brown
Mickey Giacomazzi
Sandy Berumen
Michael Adams
Keii Johnston
John Koyama
Henry Kingi
Al Leong
A. Michael Lerner
Clint Lilley
Danny Lopez
Bob Minor
Larry Nicholas
Tom Morga
Carrick O'Quinn
Hugh Aodh O'Brien
Dennis Scott
Dan Plum
Webster Whinery
Jennifer Badger
Al Goto
Marian Green
|
|
| Stunt Coordinator |
Allan Graf
|
|
| Stunt Double |
Shelby Swatek
|
|
| Art | Production Design |
Naomi Shohan
|
| Art Direction |
David Lazan
|
|
| Set Decoration |
Evette Knight
|
|
| Assistant Property Master |
Audrey A. Johnson
|
|
| Property Master |
Kent H. Johnson
|
|
| Lead Set Dresser |
Jefferson Murff
|
|
| Construction Coordinator |
Jim Ondrejko
|
|
| Set Designer |
Clare Scarpulla
|
|
| Costume & Make-Up | Costume Design |
Arianne Phillips
|
| Makeup Artist |
Katalin Elek
Zoltan Elek
Collier Strong
|
|
| Key Hair Stylist |
Ermahn Ospina
|
|
| On Set Dresser |
Grant Sawyer
|
|
| Set Costumer |
Wendy M. Craig
|
|
| Key Costumer |
Joe McCloskey
|
|
| Costume Supervisor |
Larry Velasco
|
|
| Visual Effects | Digital Effects Producer |
Carole Cowley
|
| Visual Effects Production Manager |
Brian Keeney
|
|
| Visual Effects Supervisor |
Kelley Ray
|
|
| Lighting | Gaffer |
Shane D. Kelly
|
| Assistant Chief Lighting Technician |
Don Davidson
|
|
| Department | Role | Name |







