The Sense of an Ending
(2017) Sometimes what we remember is only half the story | Released
Ratings
61%
6.4
6.3
74%
Financials
Revenue: $5,081,495
Budget: $0
Profit: + $5,081,495
Movie Details
Tag Line: Sometimes what we remember is only half the story
Status: Released
Average Rating: 6
Release Date: Mar 10, 2017
Rating: 2017-01-02
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Origin Pictures , BBC Film , FilmNation Entertainment
Sources:
Genres
Keywords
People Rated This
Where to watch The Sense of an Ending
Watch with a paid subscrition
Amazon Prime Video
Amazon Prime Video with Ads
Purchaseble on (Rent or Buy episodes, seasons or full series)
Apple TV
Amazon Video
Fandango At Home
Synopsis
A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Ritesh Batra
|
| Script Supervisor |
Jemima Thomas
|
|
| Crowd Assistant Director |
Daisy Baldry
Samuel Martin Cook
|
|
| Third Assistant Director |
Sekani Doram
|
|
| Second Assistant Director |
Sarah MacFarlane
|
|
| First Assistant Director |
Toni Staples
|
|
| Writing | Novel |
Julian Barnes
|
| Screenplay |
Nick Payne
|
|
| Editing | Editor |
John F. Lyons
|
| First Assistant Editor |
James Barham
|
|
| Online Editor |
William Chetwynd
|
|
| Digital Intermediate Assistant |
Katie Croft
|
|
| Colorist |
Jamie Welsh
|
|
| Digital Intermediate Producer |
Abigail McKenzie
|
|
| Costume & Make-Up | Assistant Costume Designer |
Ellen Crawshaw
|
| Makeup Artist |
Emma Romans
Adele Firth
|
|
| Makeup Designer |
Nadia Stacey
|
|
| Costume Supervisor |
Alison Lewis
|
|
| Costume Design |
Odile Dicks-Mireaux
|
|
| Hair Designer |
Nadia Stacey
|
|
| Hair Supervisor |
Line Kolaasaeter
|
|
| Makeup Supervisor |
Line Kolaasaeter
|
|
| Assistant Makeup Artist |
Kirsty Nichol
|
|
| Makeup Trainee |
Jane McBennett
|
|
| Daily Makeup & Hair |
Cassi Brookes
|
|
| Costume Assistant |
Yanika Waters
Olivia Hulme
|
|
| Sound | Sound Re-Recording Mixer |
Robert Farr
|
| Music Supervisor |
Sarah Bridge
|
|
| Foley Editor |
Ben Cross
|
|
| Sound Designer |
Michael Kaczmarek
|
|
| Dialogue Editor |
Ben Tat
|
|
| Foley Artist |
Ian Waggott
|
|
| Original Music Composer |
Max Richter
|
|
| Second Assistant Sound |
Liam Cotter
|
|
| Orchestrator |
Dave Foster
|
|
| Musician |
Rachel Bolt
|
|
| Foley Mixer |
Ben Cross
|
|
| Production Sound Mixer |
Mitch Low
|
|
| Camera | Key Grip |
Warwick Drucker
|
| Steadicam Operator |
Iain Mackay
|
|
| Still Photographer |
Robert Viglasky
|
|
| Director of Photography |
Christopher Ross
|
|
| Camera Trainee |
Tom Carpenter
Anastasia Romanchuka
|
|
| "B" Camera Operator |
Iain Mackay
|
|
| Second Assistant "A" Camera |
Seán McDermott
|
|
| Digital Imaging Technician |
Anthony Bagley
|
|
| First Assistant "B" Camera |
David Churchyard
|
|
| First Assistant "A" Camera |
Theo Berman
|
|
| Second Assistant "B" Camera |
Beau Scott
|
|
| Camera Car |
Stuart McNicholas
|
|
| Art | Art Department Coordinator |
Viera Zvonarova
|
| Production Design |
Jacqueline Abrahams
|
|
| Art Direction |
Max Klaentschi
|
|
| Property Master |
Noel Cowell
|
|
| Dressing Prop |
Kez Keyte
Barney Ward
Jake Hovell
Cliff Lim
|
|
| Art Department Assistant |
Ruta Daubure
|
|
| Graphic Designer |
Ruta Daubure
|
|
| Storyboard Artist |
Toby Harvard
|
|
| Standby Art Director |
Emily Woodward
|
|
| Title Designer |
Howard Watkins
|
|
| Assistant Art Director |
Jasmin Backshall
|
|
| Construction Manager |
Antoine Robin
|
|
| Standby Property Master |
Kevin Day
|
|
| Production | Producer |
David M. Thompson
Ed Rubin
|
| Casting Associate |
Theo Park
|
|
| Casting |
Nina Gold
|
|
| ADR Voice Casting |
Vanessa Baker
|
|
| Executive Producer |
Ed Wethered
Milan Popelka
Norman Merry
Ben Browning
Christine Langan
Aaron Ryder
Glen Basner
|
|
| Co-Producer |
Joanie Blaikie
Sarada McDermott
|
|
| Production Manager |
Karl Liegis
|
|
| Assistant Location Manager |
Adriene Whitwell
Elena Vakirtzis
|
|
| Location Assistant |
Cornelius Morpeth
|
|
| Executive Producer's Assistant |
Hannah Getts
|
|
| Production Executive |
Alex Gordon
Ali Moshref
|
|
| Producer's Assistant |
Maria Fleischer
|
|
| Production Trainee |
Jenny Whiteley
|
|
| Location Manager |
Karen Smith
|
|
| Assistant Accountant |
Elfyn Wyn Jones
|
|
| Extras Casting |
Douglas Williams
|
|
| Location Coordinator |
Marie Allcorn
|
|
| Production Coordinator |
Leanne Fairbrother
|
|
| Production Accountant |
Fry Martin
|
|
| Production Assistant |
Annabel Towler
|
|
| Visual Effects | Visual Effects Coordinator |
Belinda Cumming
|
| Visual Effects Producer |
Paul Driver
|
|
| Special Effects Supervisor |
Scott McIntyre
|
|
| Digital Compositor |
James Elster
Andy Quinn
|
|
| Visual Effects Supervisor |
Tim Barter
|
|
| Crew | Post Production Supervisor |
Shuna Frood
|
| Floor Runner |
Olivia Lyth
|
|
| Scenic Artist |
Sara Knight
|
|
| Carpenter |
Steve Clark
Dean Spicksley
Alex Abelman
|
|
| Compositor |
Jay Murray
|
|
| Score Engineer |
Rupert Coulson
|
|
| Legal Services |
Christos Michaels
|
|
| Special Effects Technician |
Eddy Popplewell
|
|
| Stunt Double |
Gillian Aldam
|
|
| Health and Safety |
John Fillingham
|
|
| Stunt Coordinator |
Paul Kennington
|
|
| Lighting | Electrician |
Edd Smith
Oliver Whickman
Jaime Fletcher
Oliver Poole
Gary Thornhill
|
| Standby Rigger |
Lee Howarth
Paul Berry
|
|
| Gaffer |
Jonathan Spencer
|
|
| Department | Role | Name |
Join the discussion
Please Log in to comment