The X-Files
(1998) Fight the future. | Released
Ratings
60%
6.9
7
65%
Financials
Revenue: $189,198,313
Budget: $66,000,000
Profit: + $123,198,313
Movie Details
Tag Line: Fight the future.
Status: Released
Average Rating: 7
Release Date: Jun 19, 1998
Rating: 1998-06-11
Run Time: 2h 01m
Original Language: English
Website: -
Production Countries: United States of America , Canada
Production Companies: Ten Thirteen Productions , 20th Century Fox
Sources:
Genres
Keywords
People Rated This
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Synopsis
Mulder and Scully, now taken off the FBI's X Files cases, must find a way to fight the shadowy elements of the government to find out the truth about a conspiracy that might mean the alien colonization of Earth.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Chris Carter
|
| Story |
Chris Carter
Frank Spotnitz
|
|
| Art | Set Decoration |
Jackie Carr
|
| Art Direction |
Gregory Bolton
Hugo Santiago
|
|
| Production Design |
Christopher Nowak
|
|
| Assistant Art Director |
Dins W. W. Danielsen
|
|
| Set Designer |
Fanée Aaron
|
|
| Art Department Assistant |
Jennifer Jaafar
|
|
| Art Department Coordinator |
Patti McNulty
|
|
| Location Scout |
Carrie L.A.
|
|
| Property Master |
Mike Carrillo
|
|
| Painter |
Michael Gates
|
|
| Supervising Art Director |
Marc Fisichella
|
|
| Construction Coordinator |
Bill Iiams
|
|
| Leadman |
Tim Donelan
|
|
| Standby Painter |
James N. Delaplane
|
|
| Production Illustrator |
Jim Martin
|
|
| Concept Artist |
Tim Flattery
|
|
| Graphic Designer |
Susan A. Burig
|
|
| Storyboard Artist |
Robb Bihun
|
|
| Assistant Property Master |
Howard Fannon
|
|
| Swing |
Max E. Brehme
|
|
| Title Designer |
Ramsey McDaniel
|
|
| Set Dressing Buyer |
Jill Hall
|
|
| Production | Executive Producer |
Lata Ryan
|
| Casting |
Meg Liberman
|
|
| Producer |
Daniel Sackheim
Chris Carter
|
|
| Associate Producer |
Mary Astadourian
|
|
| Unit Production Manager |
David Womark
|
|
| Production Supervisor |
Doris Donnenberg
|
|
| Location Manager |
Michael J. Burmeister
|
|
| Production Accountant |
Stevie Lazo
|
|
| Production Manager |
Perry Petrzilka
|
|
| Production Coordinator |
Dina Farnell
|
|
| Payroll Accountant |
Julie Ann Moyeda
|
|
| Production Secretary |
John Nein
|
|
| Assistant Production Coordinator |
Jennifer S. Deayton
|
|
| Additional Casting |
Patrick Rush
|
|
| Assistant Location Manager |
Timothy Falconer
|
|
| First Assistant Accountant |
Kelly Richards Ralston
|
|
| Key Set Production Assistant |
Anna Bradley
|
|
| Assistant Accountant |
Ricky Cuevas
|
|
| Second Assistant Accountant |
Shaun M. McGovern
|
|
| Location Assistant |
David M. Wermus
|
|
| Casting Assistant |
Angela Terry
|
|
| Accountant |
Linda Gregory
|
|
| Production Assistant |
Dave Casella
|
|
| Co-Producer |
Frank Spotnitz
|
|
| Sound | Original Music Composer |
Mark Snow
|
| Music Editor |
Jeff Charbonneau
|
|
| Boom Operator |
Mark Steinbeck
|
|
| Assistant Sound Editor |
Blake R. Cornett
|
|
| Sound Designer |
Paul Urmson
|
|
| Sound Effects Editor |
Paul Apted
|
|
| Music Supervisor |
David Was
|
|
| Supervising Sound Editor |
John A. Larsen
|
|
| Sound Recordist |
Craig Heath
|
|
| Orchestrator |
Jonathan Sacks
|
|
| Dolby Consultant |
Mark Kenna
|
|
| ADR Supervisor |
R.J. Kizer
|
|
| Sound Mixer |
Geoffrey Patterson
Colin Nicolson
|
|
| Dialogue Editor |
Susan Dawes
|
|
| Sound |
Rodger Pardee
|
|
| Foley Mixer |
David Betancourt
|
|
| Conductor |
Mark Snow
|
|
| ADR Recordist |
Diane Linn
|
|
| Foley Artist |
Dawn Fintor
|
|
| ADR Mixer |
Jeff Hamon
|
|
| Additional Sound Re-Recording Mixer |
James Bolt
|
|
| Foley Recordist |
Carrie Cashman
|
|
| Editing | Editor |
Stephen Mark
|
| Color Timer |
Dennis McNeill
|
|
| First Assistant Editor |
Margaret Adachi
|
|
| Assistant Editor |
Jeff Cahn
|
|
| Project Manager |
Stephen Sobisky
|
|
| Negative Cutter |
Gary Burritt
|
|
| Directing | Director |
Rob Bowman
|
| First Assistant Director |
Josh McLaglen
|
|
| Script Supervisor |
Tricia Ronten
|
|
| Additional Third Assistant Director |
Renato De Cotiis
|
|
| Third Assistant Director |
Phil Booth
|
|
| Second Second Assistant Director |
Rich Sickler
|
|
| Second Unit Director |
William H. Burton Sr.
|
|
| Camera | Director of Photography |
Ward Russell
|
| Aerial Camera Technician |
Phil Bowen
|
|
| Camera Loader |
Matthew A. Del Ruth
|
|
| Still Photographer |
Merrick Morton
|
|
| Camera Operator |
Mark La Bonge
|
|
| Additional Photography |
Lloyd Ahern II
|
|
| First Assistant Camera |
Brad Edmiston
|
|
| Grip |
Jason Bell
|
|
| Key Grip |
James Sweet
|
|
| Best Boy Grip |
Chad C. Barrow
|
|
| Focus Puller |
Merritt Gold
|
|
| Second Assistant Camera |
Michael Cassidy
|
|
| Clapper Loader |
Jamie Sewell
|
|
| Assistant Camera |
Tom Gleason
|
|
| Dolly Grip |
Rick Kangrga
|
|
| Costume & Make-Up | Costume Design |
Marlene Stewart
|
| Key Makeup Artist |
Gino Crognale
|
|
| Set Costumer |
Nancy Collini
|
|
| Key Hair Stylist |
Kerry Mendenhall
|
|
| Prosthetic Makeup Artist |
Lance Anderson
|
|
| Set Dressing Artist |
Ronnie Lombard
|
|
| Costume Supervisor |
John Casey
|
|
| Key Costumer |
Helen Monaghan
|
|
| Makeup Supervisor |
Michael Mills
|
|
| Wardrobe Supervisor |
Janet Tebrooke
|
|
| Crew | Transportation Coordinator |
Steve Duncan
|
| Digital Effects Supervisor |
Peter Koczera
|
|
| Makeup Effects |
Alec Gillis
|
|
| Unit Publicist |
Alex L. Worman
|
|
| Craft Service |
Derek Hurd
|
|
| Propmaker |
Samuel H. Adams
|
|
| Transportation Captain |
Howard Bachrach
|
|
| Stunts |
Brian Bennett
Nancy Thurston
Lisa Dempsey
Troy Robinson
Troy Brown
Bob Brown
Gregory J. Barnett
Steve M. Davison
John C. Meier
Billy D. Lucas
Michael Runyard
Kendel McMurray
Jimmy N. Roberts
William H. Burton Jr.
Chris Blackwood
Hal Burton
Dale Gibson
Dane Farwell
Steve Holladay
James M. Halty
Tommy J. Huff
Shawn Kautz
Dennis Madalone
Khristian Lupo
Erik Rondell
Jimmy Romano
James Ryan
Craig Shugart
David Schultz
Thomas DuPont
Roger Wells
Scott Hubbell
Robert Powell
|
|
| Special Effects Coordinator |
Paul J. Lombardi
|
|
| Driver |
Don Poole
|
|
| Stunt Coordinator |
Tim A. Davison
|
|
| Transportation Co-Captain |
Maxwell R. Johnson II
|
|
| Stand In |
Fred Fein
|
|
| Video Assist Operator |
Mark Suveg
|
|
| Set Medic |
Todd J. Adelman
|
|
| Carpenter |
Damian 'Rocky' Polito
|
|
| Post Production Assistant |
Robert Mendoza
|
|
| Set Production Assistant |
Rachel Flackett
|
|
| Visual Effects Editor |
Pamela Choules
|
|
| Special Effects Assistant |
Scott D. Mattson
|
|
| Stunt Double |
Heather Burton
Jon H. Epstein
Claudette James
|
|
| Special Effects Technician |
Jan Beran
|
|
| Digital Supervisor |
Greg Strause
|
|
| Aerial Coordinator |
David Paris
|
|
| Technical Advisor |
William O. Heaton
|
|
| Visual Effects | Special Effects Supervisor |
Stan Blackwell
|
| Visual Effects |
Fred Simon
|
|
| Digital Compositors |
Kenneth Au
|
|
| Visual Effects Coordinator |
Daphne Dentz
|
|
| Visual Effects Producer |
Matthew Ferro
|
|
| Visual Effects Supervisor |
Mat Beck
|
|
| Additional Visual Effects |
Erik Henry
|
|
| VFX Artist |
Christopher Leone
|
|
| Visual Effects Production Assistant |
Jim Cashman
|
|
| 2D Artist |
Miyuki Takahashi
|
|
| 2D Supervisor |
Edwin Rivera
|
|
| Compositing Artist |
Travis Baumann
|
|
| Senior Animator |
Erik Liles
|
|
| Lighting | Gaffer |
Carl Boles
|
| Lighting Technician |
Jenna Abrahamson-Minardi
|
|
| Best Boy Electric |
Mark Ballentine
|
|
| Rigging Gaffer |
Mike Amorelli
|
|
| Rigging Grip |
Pasquale Attanasio
|
|
| Electrician |
Harold Groshon
|
|
| Chief Lighting Technician |
Jerry Solomon
|
|
| Department | Role | Name |
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